Big Toot
How Hair
Makes Life Real and You Can Too
a satire
by
Judson
Blake
Cast:
Big Toot Owner & CEO of the Blue Heaven
Amusement Park
Kushie Toot’s valet and adopted son
Mother Toot Toot’s mother
Kissy Bazoom Toot’s lover
Wince Imposter
called Doc Fok
Gascone Coiffeur to the Great and Troubled
Lotta Lickhouse Kushie’s wife and Reality
Czar of Blue Heaven
Act I, sc. 1
( Gascone’s office.
If space permits this could be a small section of the stage while most
of the action occurs in the rest. Gascone is slumped in his armchair by a crude
table in half light. He wears dark
clothing in grays and browns. The
room is crowded by shady hangings on the walls, half-empty bottles. Ancient manuscripts roll off the table. A
construction of wires, audio gear and TV’s are turned to the wall. A rack of guns includes a gas mask. Motifs of skulls, ancient battle flags, spray
cans and fishing net. There are foxed pictures of maps and dead
soldiers on the walls, along with worn coats and useless fabric. To one side, a beautician’s standing
hairdryer is draped in a thin black veil that hangs to the floor. Wince
enters carrying a flashlight which he needs to find his way.)
Gascone: Shut
the door. Were you followed?
Wince: (hesitates) No.
Gascone: So. Is he coming tonight?
Wince: He’s
never coming.
Gascone: So
why are you here?
( Wince takes his time, accustoming himself to the light. )
Wince: To
tell you. That you
shouldn’t expect him.
Gascone: Okay. And so?
Wince: So
there are some other things. (Wince pockets the flashlight, hangs up his
coat, throws a switch to turn on a dim light. He finds a bottle and pours himself a
drink. He strolls without haste around
the room. He goes to the shelf and idly
fingers over Gascone’s miniature figurines.
He pretends he has nothing to say. ) Funny these little trinkets of yours. Always admired them. Like little magical tokens. I wonder where you get them. Well, you travel so much. You’ve been everywhere and yet, look around
at this, you wind up here.
Gascone: Get
used to the low places, little man. When
you fall it won’t be far.
Wince: A
tiger. A snail. A lady with no arms. Well, those arms only get in the way, eh? I always wondered about you.
Gascone: You
don’t wonder at all. You pretend that
you know already. Which
in a way is better then knowing and being burdened
with real knowledge of anything.
So what are these “other things”?
Wince: Hm. Things.
Gascone: You
think you’ve got him figured out, don’t you?
As if you, dragging your tattooed ass in the dirt, as if you were
secretly in his class. Down in the
gutter all things look the same. You
slither out when you’re sober and have a low opinion of what you see.
Wince: Ah. I’m not on your high level.
Gascone: The
level of the mind. Of how things
progress because people believe. That’s land you’ll never cross. I think you’re not the size of other
men. The conns you pull on old
drunks, I’ve seen you in the park. Well,
that sleazy style won’t work on him.
See? He didn’t come when you
called last night and you were very sure, weren’t you? He won’t return your tweets. He’s used to taking things from others, not
giving out favors for a whimper and a smile.
Nothing like what you’ve got to sell.
Wince: We
think alike, Gascone, now we’re dealing with matters of a, what shall I
say? A succubus
kind. Yes, there is a
way. A way you’ll like. What do you do? You find a flaw. A flaw he can’t correct. And then what do you do?
Gascone: Ah. You solve the problem. You help him out.
Wince: I
do. I will. It has to do with what he values most.
Gascone: Ah,
you know of course. But he’s more slippery than you. “What he values most”, you say. He cries for meat and when it arrives,
throws it on the floor. Says this is
not meat. Not real meat. And you’re going to straighten him
out? Butchers are all fakes. They only pretend to kill. Throw it all out. Then he does the same with men. Same with women.
Wince: But. He does have one thing.
Gascone: And
that is?
Wince: He
wants to be flawless. And so I will
help him out.
(Both men stare into space as the lights
fade.)
Act I, sc. 2
( Executive
suite of the Blue Heaven Amusement Park. Sumptuous, over
decorated, tasteless faux-Victorian furnishings. Gaudy tapestries. Small bland artwork
overrun by heavy ormolu frames. To left a floor to ceiling picture
window. A canopied couch where Mother
Toot lies languishing with tissue wiping away tears. )
(Kissy Bazoom
enters.)
Kissy: Eeehyeww! Mother
Toot! Why are you all bent up?
MT: Oh, Kissy, Kissy darling. I’m so glad you’ve come.
Kissy: It’s a
lovely day.
MT: It is and oh, I can’t forget: our
life here at Blue Heaven is so perfect.
So peaceful.
So many lovely things. So why do I have bad thoughts?
Kissy: Bad
thoughts? Whatever for? Here.
Let me get you some fluffy pillows.
There. Lovey-dovey
fluff. Fluff-fluff. Fluff-up. Yeah.
Are you depressed? You look yellowish. Off color kind of. Hm! Fluff. Did you lose
money?
MT: No
loss of money could make me feel this way.
I worry for my son. I worry
if he’ll be all right.
Kissy: Gosh,
Mother Toot. Why ever? He was fine last night.
MT: Last
night there was gunfire out my window.
I know it’s part of the playful games the
Amusement park stages for our guests.
But it was more alarming than before.
Louder.
Could real harm come from it, Kissy?
Kissy: Oh,
I don’t see how. It’s all in good
fun. Bombs, machine guns, drones flying everywhere, it has to look realistic. It’s the Blue Heaven Amusement Park after
all. That’s part of the thrill.
MT: I’m
glad you have a calm view. But I know
it affects my boy. Ever since we came
to Blue Heaven and he became famous he’s a great man to the world now, but to
me he’s still my little Toot. A mother
knows. For all the anguish he must face
as chief of this the greatest amusement park in the world, adversity on every
side, petty profiteers eager to drag him down. The attacks outside are only an echo of
the crushing weight he must bear.
Kissy: Gosh,
that’s terrible, Mother Toot.
MT: And
worse still is the awful dream I had.
Kissy: You
had a dream? Tell me.
MT: No,
it’s too terrible to recount. You’re
his main squeeze now, and how can you do your part if your head is filled with
strange ideas?
Kissy: Oh,
come on. I won’t tell.
MT: It
was full of violent thunder claps.
Clouds rolled up like walls that shook with sounds of dark
foreboding. There were cruel grotesques
rising out of the Earth and with one sweep of the hand they worked a roaring
sea of chaos. Crazed masses of people swayed
to music prophesizing doom. Then suddenly there came a flaming crash that
broke down all before it. Windows
shattered. Out of the blue a strange
frantic being raced into the room carrying an empty golf bag, yes, and his
garments on one side were torn to shreds and burned black. And strangest thing of all: he had a red
balloon tied to one ear. It was horrid.
Kissy: Which
ear?
MT: This
one I think. A red balloon of all things. Like a toy in a maelstrom. What can it mean, Kissy?
Kissy: They
say all dreams mean something or other.
But you don’t take drugs. So how
could you have a dream so weird? My. I just
don’t know.
(A crash
comes from stage right. Kissy and MT look around in horror. Kushie races in from stage right swinging an
empty golf bag. He has a red balloon
tied to his ear. He wears a trim business suit with one side
shredded, burnt and smoldering. In the
rest of the play he wears this same costume. )
Kushie: They’re
coming. They’re wild men. They’ve broken through.
MT: What?
Kissy: Who?
Kushie: They’re
rioting. It’s a swamp of brutal
maniacs. They strike out at
anyone. They say any profanity and the
meanest always wins. Oh, they won’t
listen to reason.
MT: Oh,
Kushie, surely it’s a game. Only nice
things happen at Blue Heaven Amusement Park.
Kushie: This
is no game. It’s an angry mob. Oh, it’s not for fun, it’s a riot. They’re like animals high on meth. I saw
a body lying in the street. Hey, at least it’s him and not me. I had to fight my way through. I
used every club I had beating my way here.
Cut and slash. Slash and
mash. Bash and trash. It was all I could do to hack my way
here. One way
I clubbed with the driver. A fevered
crowd backed off. Next I slashed with
nine-iron. That left them
reeling. The putter I buried in the
chest of some crazed berserk who would’ve crushed my skull. It’s
a storm. It’s a riot. Take
cover.
Lotta: (entering) Kushie, Kushie, Kushie baby. There you are. You’ve done it again.
Kushie: What?
Lotta: Believing
reality when I told you not to.
Kushie: But
it is real.
Lotta: It’s
not real. Come here, Honey. You’ve had a bad time.
Kushie: How
do you know? You didn’t see the
horrible things I saw. You weren’t
there.
Lotta: Of
course I was. You just wandered into
a new game we created. You got
frightened by some of the new attractions, that’s
all. New monsters, did they scare you? The new rides? Did they seem too realistic? But stay where I say and things like that
won’t happen. That hair, ooo, is
a mess. And the red balloon again.
Kushie: Oh,
Lotta, dearest, I guess I forgot. You
mean it’s not real?
Lotta: Of
course not, Honey. That’s why I’m Reality Czar for all of Blue
Heaven Amusement Park, to keep you from bad dreams. I make it real so you don’t have to. You had a bad dream, that’s all.
Kushie: Bad
dream? Really? I’ve never had a bad dream. All
my dreams have been about sweetness and being rich.
Lotta: Of
course. But an amusement park has to have exciting
rides and scary tunnels so people get a thrill when they come here. And we just added some new ones. Come to Momma and let me wipe away all
those evil thoughts. There. See, Honey, you can’t have fantasy without
reality to make it real, don’t you see?
Stands to reason. That’s why I’m Lotta, the one and only
Reality Czar for all of Blue Heaven.
When something is real, you can bet I’ll know it. I make it real after all. And when I don’t, well, then it’s
not.
Kissy: Really? Reality Czar, that’s so cool. But is it what’s real or what people think
is real?
Lotta: Oh,
Honey, I’m both. What’s real and the
other thing, I cover the ground in Blue Heaven.
Kissy: She’s
just divine the way she explains things.
It makes it so clear.
MT: You’re
so right. She must have known the
dream I had and then she made it come true.
Kissy: It’s
so reassuring, to know what’s real and what’s not. I wish I knew those big words.
( Big Toot enters from right. As he enters blue and yellow rays come from
the picture window left.)
MT: My
son. He’s awakened.
Toot: Look at this vista, this peaceful
land. And so many
people enjoying themselves.
How they swarm. They can’t contain themselves. Just look at this. This, what you see here, this is what
makes Blue Heaven Amusement Park the finest entertainment in all of creation. Makes blue Blue Heaven truly blue.
MT: Oh. That’s my boy.
(
Crash of broken
glass. A brick flies through the window, lands at
Big Toot’s feet. It has a note tied to
it.)
MT: Aaiieee! Oh, my
God. (falls back on couch)
Kissy: Wow! That’s exciting. They must’ve seen you coming.
Kushie: They’re
throwing things. Back off, Sir.
Kissy: Is
that writing? A
mysterious message in secret code?
Toot: What? Can’t they tweet?
Kushie: Careful,
Sir. Watch out. It could be a bomb in disguise.
Toot: ( Toot strolls away, tweeting.) Yes,
check it out, Son. ( Toot pecks on empty air.
He pecks on the walls, on the furniture, on Kushie’s head. Kushie
hesitatingly picks up the brick, reads the note.)
Kushie: Scribbling
of some kind. I can’t read it.
Toot: Are they congratulating me on my
stature, the milestones I have achieved so far?
MT: Has to be that.
Toot: Or on my ascendency yet to come in
the future far beyond?
Kushie: It’s
something else. Something
strange.
MT: It looks kind of sweet.
(Kushie turns the note around so it’s right side
up.)
Toot: Of
course. They’re visionaries, seekers
blinded by the light.
Lotta: Let
me see that. (Grabs the note.) Well,
this is strange. (reads) Blue Heaven should be blue.
Toot: Well, isn’t it already?
Kissy: Oh,
this is bad news, isn’t it? I just
know… I gotta
go… (exits)
MT: Oh,
it is blue. I know.
Lotta: Estonians
call for blue. Okay. I was worried about this. It’s
the Estonians again. There’s something
I gotta tell you, Big Toot. The
Estonians are a problem. The Estonians own
our exciting toy concession and they’re holding out.
MT: Holding
out on my son? I knew there was something wrong. My horrid dream. I must get help. (exits)
Kushie: It’s
the Estonian cartel, Sir. They hold
all the patents on the… er, you know.
Toot: Estonians?
Is that a conspiracy? A secret cabal? I gotta find out. (withdraws
tweeting)
Lotta: Estonians
are our main supplier. We need their
product.
Kushie: Product? Oh, you mean the um… things.
Lotta: The
what?
Kushie: Well,
there was a box of … um-bum, but… and the unh… but it’s gone.
Lotta: What? What’s left?
Kushie: We’re
out of unh, totally. And the … you
know, bditz-it thing, well, I sold the last one…
Lotta: Can’t
you talk English? Are you speaking
Estonian?
Kushie: I’m
trying to learn.
Lotta: Learn
what unh is? What’s unh?
Kushie: It’s…
it’s that thing, what you said. That, that word.
Lotta: (pulls him to her) Honeyy. Look at you. (holds up burnt arm) You’ve had a hard day. It’s not a word. Electronic artificially intelligent
pantyhose is our hottest item. And the
hydraulic chicken wringer specially engineered to serve so many other exciting functions? Huh-uh? And the elevated strapless bra with
Internet of Things alligator clips? So many thrills waiting to happen I can’t name
them all. And then there’s the super unhs and the giant um-bums, and the enhanced bditzies things. If we had all that we’d be shoveling the platinum
in carloads. Without exciting toys ,
they’re unsettled. Out
of sorts. People need
entertainment. This is Blue Heaven for
God’s sake. You expect us to sell
liquor and drugs?
Kushie: Gee,
Lotta, you think…. We never thought of selling liquor and drugs.
Lotta: People
are ready for product. They hunger for
it. You want us to freeze over? You want us to live on borrowed money and
sink into an infested swamp? You know
how big this is? You know. Get on the phone to those Estonians.
Kushie: I
called last night. They wouldn’t talk
to me.
Lotta: Oh? Did you happen to mention the unh? Maybe the bditz
didn’t translate right. That might’ve under
impressed them.
Toot: I
won’t stand for this. Hey, Kushie, get
over here. Get me an Estonian.
( Kushie taps on Toot’s cell. Light goes up on Gascone alone in his office.)
Toot: (to cell on speaker) Estonian.
Estonian there?
Gascone: (Fakes Estonian accent) Estonian here. Yes.
Estonian.
Toot: Okay,
listen. Listen, Estonian. What’s this you’re telling my Reality Czar
you’re doing some holdout game on those special toys? Is that it? ‘Cause that don’t work
for us– not for the good times over here in Blue Heaven. You know?
We got customers and obligations and interest payments and lotsa golden parachutes might go hungry, you hear that?
Gascone: Oh. Not sunny day? Oooh. I didn’t know it
was problem, Sir.
Toot: It’s
not a problem, Estonian. It’s a problem
and it’s not a problem. You solve it,
the problem goes away. Flap-flap. Like a
little birdie, like that. Are you gonna flap-flap for me?
Are you that kind of guy? A guy who can make me flap happy?
Gascone: Sure
thing, Sir. Absolute. Blue Heaven Amusement Park, oh, is the
greatest. Tops on
our list. Yessir. Right there. Upsy-tupsy. You got
it. Is only one little thing.
Toot: One
thing?
Gascone: One
little thing.
Toot: One
thing? One thing? Things? More things I don’t need. How many thing-things are there? The whilitzer
kazoo? The thought guided virtual
reality torpedo, what can it be?
Gascone: Blue
Heaven is always the best, Sir. It’s
just that….
Toot: The
5G artificial nipple, you’re not gonna hold out on
that, are you? It’s a hot item, I can
tell you. I gave you a yacht, a whole
yacht, for that order.
Gascone: No,
no. We got yacht. What we didn’t get….
Toot: And
it was a great yacht. A real class
yacht for an Estonian.
Gascone: Is
wonderful. True blue. What we didn’t get was the hole. Of the True Blue golf course. The 18th Hole. We Estonians try to play and then we come
up to the last hole and we get nothing.
No hole.
Toot: …and that
magic thingy with the corkscrew and the bear claw at the end? You send that?
Gascone: We
don’t got what we don’t got. I say it for you special: the 18th
Hole is no more.
Toot: 18th
Hole? What 18th Hole? Of my golf course? What’s he talking about?
Gascone: 18th
Hole of Dilly-Dally golf course, of course.
You remember? You promise that
so sweet so nice you promise–and then you give away. Who you give it to? Chinese. Chinese got 18th hole now. Not nice. Not Estonian. 18th Hole,
now is not Blue. Is
Chinese. Is that fair to
Estonia? We here in Estonia think not
eevie stevie. We got the yacht, but they stole the
hole. Heh-heh. Is little joke. Okay?
So sad they got it and we don’t.
But Blue Heaven, that is
greatest. Great-great. Blue-blue. Greatoh, eh? Just little thing.
Lotta: We
got it. We don’t own the 18th
Hole.
Gascone: Blue
Heaven is blue-blue, Sir.
Toot: Is
he… ? Is he…
talking to me? 18th
Hole? Of the
golf course? Of
my golf course? (turns away in a stupor)
Lotta: All
right, Estonian. Enjoy the rest of
your day.
Gascone: Is
night here in Estonia, Sir. Ah, he
hang-up. Mus be
in hurry up lotsa totsa in
Blue-blue. (light on Gascone fades. Toot sinks down in despair.)
Toot: This
can’t be true. The 18th
hole is sacred. It’s the most
important part of the greatest golf course in the world.
Lotta: This
is for real, Big Toot. You can’t fake
this. This is a bigger deal than we thought. I mean big big.
Toot: I
like big.
Lotta: You
won’t like this big. The Chinese have
bought the 18th Hole. Without firing a shot.
Kushie: No. They
can’t do that. Oh, I remember those
sweet days when you first acquired Dilly-Dally. Dilly-Dally in the valley, your mother
said. Made it sound
like an off-color innuendo, but I saw through that: It was golf course to the stars. And you let me tee off the very first
time.
Toot: Oh,
this is awful. It’s incomplete. No 18th hole?
Kushie: And
I didn’t go in the rough, did I, Dad?
Toot: This
is staring into a black abyss. A
homeless bum has his shopping cart but I’m left without the simplest thing, the
last hole. The one they all yearn
for. They own… the Chinese really
own…. But… how could they buy something
that isn’t theirs?
Kushie: Oh,
they’re so conniving.
Toot: (Hiding his head) Back it out. Say it’s not so.
Lotta: Well,
we could make it real if it was fake. But it’s real already. That’s a toughy. First the Estonians hold out on us so we got
no product. And now the Chinese buy
our real estate. The Estonians hold
out, the Chinese hold on.
Toot: (prostrate, groaning on the couch) Oh.
They got… They got the whole hole. (falls back in a
faint. There is a long pause while everyone gathers to one side to observe this
strange behavior. Slowly MT and Kissy
enter behind Lotta and Kushie. All
crouch in awe. )
Kushie: Gosh,
he’s never done that before.
MT: My
boy. He needs a rest.
Lotta: Too
much reality. It takes a toll.
Kissy: He
was fine last night.
(lights out.)
Act II,
sc. 1
( MT & Kissy are waiting to one side. Toot lies prostrate on the couch. Cymbal crash. Wince enters stage right)
MT: Here
he is. (runs to Wince) Oh, Doctor you’ve come. He’s here for my boy.
Kissy: Who? Who are you?
MT: He’s the doctor.
Kissy: Hieee. You’re cute.
Wince: Doctor
Foc. I’m
here to help. But I don’t insist on
formality. Just call me Doc Fok. It’s a
normal name. Rhymes with clock, dock and
knock.
Kissy: Oh,
that makes sense.
MT: Well, Doc, there’s Big Toot. Flat on his back. He’s suffered a terrible shock. Can you pick him up?
Wince: ( Examines Toot.
Touches his ear. Pokes at his shirt. ) Ah-ha. Ah-ha. Appears to be a case. Acute somatic de-depression. Inflammation of the upper
left frontal lobe. I’ve seen a
case. Ooookay. Now, let me
explain. Get right to the point. You were right, Mother Toot. Right to bring me in. As you yourself must have felt, felt
deeply, with your mother’s intuition.
MT: Oh,
I have. I have. Oh, he feels what I’m going through. He knows.
Even if he’s in a coma, which he seems to be
right now, oh, he knows.
Wince: We
got the report. We know there’s reason
for concern.
MT: Report? Ooooh. Oh, but Doctor, this
has to go far beyond a silly report. It
has to be, if you excuse the expression, like in touch,…
in touch with… the Beyond.
Wince: Hm! (makes note) Wants connection with
higher powers. Yep.
MT: He
worries what the papers will say.
Wince: Ah-ha. Paranoid fears of eternal
damnation. Oookay. Wistful desire of course for the opposite, one night of divine bliss.
Kissy: Sure,
that would be nice.
Wince: Affects
his mind.
Kissy: And
that too. That’s so sweet.
Wince: Hm-hm. I see. That’s frequently a symptom. All right. Has
he been eating his veggies?
MT: Oh,
no, no. I wouldn’t think…. He only likes, well, cooked
in a special….
Wince: Fried
basil leaves?
MT: What? Well, I…
Wince: Beef
tacos still twitching?
MT: Well,
sometimes he….
Wince: I
thought so. I can help.
First thing is we need to test for Q disease.
MT: Oh
my,…. Disease? What disease?
Kissy: Well,
he lost some real estate. That could
be the problem.
Wince: Oh,
no. It won’t be anything simple like
that. The
reports are clear. I’ve seen the EKG, the CBC, the IOT and the
SPQR. His cholascerbic
bile scrotum-totum is oatum. Herrum scarum tested way out of range. No,
Ladies, I’m sad to tell you: this is not pretty. Big
Toot is more susceptible to the Q disease than most.
MT: I
didn’t realize it was so…
Wince: It’s
going around. We bribe the media, so few
are aware. Not to alarm the populace. It
could be communicated by exhalation, even by word of mouth. The
more they know, the more the disease might spread. We don’t want an epidemic on our hands.
MT: Well,
if you think for my boy….
Wince:
Only a blood test can be sure. (Wince produces a huge hypodermic syringe. )
Kissy: He
was fine last night.
Wince: This
won’t take a minute. I’ll get it
while he’s asleep.
(Wince advances on Toot and applies the
syringe. There is a loud slurping
sound.)
MT: Don’t
hurt my son.
Kissy: Eeehyeww!
Wince: Ah! Success. All right. Good sample. That’ll do. We should know by tonight. I have dozens more to do. There’s suspicion everywhere. Well, toodle-doo.
MT: Oh, but wait, Doctor. Wait.
My son, if he has the Q disease, he mustn’t ever find out. You must protect him from the knowledge.
(Kissy primps her hair and models in the mirror.)
Wince: True. Even knowledge that he has the Q Disease
will exacerbate the condition, make it much much
worse. It’s a science.
MT: But
you didn’t tell us, really, I mean actually really,…
Wince: What?
MT: What
the Q disease, I mean, does. I mean I
can imagine, a thing like that, it’s strictly need to know. But we’re family here. We stick together. And we need to understand the risks.
Wince: Well,
there are many. I can’t enumerate
them all.
MT: But
what are the symptoms? I mean besides
sadness and despair like I feel for him.
Wince: Symptoms appear late and by then there’s
little hope.
MT: But there must be something,
something we can see.
Wince: The mouth and larynx are the central
locus of infection. In advanced stages
these and adjacent organs even become plasto-leprotic
or as some say in the literature, dying off. Those vital organs, as if having a mind
of their own, well, they join forces, collude against the rest of the body and
decide to separate, yes, depart from the whole of the otherwise healthy
organism. Then, in that outcome, it’s
called Dropsy-Q. People say Q-flu or
Q-do and Q-di-do and when someone else gets it: “Q-too?” It makes a brotherhood of sorts. Blood and other fluids
everywhere. In the end the body
turns into a hideous gelatinous mass.
In medical terms it’s called the gulch.
And older term for it was the gullet-musset.
Sometimes in old scholarly papers it was called the gullet-gulch, but
that usage is deprecated. Today the
proper term is just gwulch. Correct pronunciation involves swallowing
mucus when you say it. Those parts of
the body that have fallen off actually become an entity in their own right. The resultant pseudo-organism becomes like
a disgusting animal that grovels along the floor eating anything and leaving
behind nothing but drivel.
Kissy: Oooh. Like a puppy. I had one of those. He did funny trick like this….
MT: Drivel? Oh, my.
My son?
But Doctor, are you sure you mean drivel? You don’t mean snivel?
Wince: You
question the importance of drivel?
MT: No,
of course not. Drivel has its own
special domain. I only want to know if
snivel might be involved.
Wince: In
some cases I’ve seen snivel was indeed implicated. You’re very perceptive to bring up
snivel.
MT: But
drivel, if it were only drivel alone, mightn’t that provide some hope?
Wince: It
would, if you hadn’t brought up snivel.
MT: Well,
if it’s not important, I mean on a higher level, well, why do we have snivel at
all?
Wince: Snivel
occurs at an advanced stage. But by
then the body parts have deserted, completely fallen off and are snuffling
along the ground in their own offal.
The snuffle of snivel is the usual technical term. It isn’t a pretty sight.
MT: But what if he changes his
mind? What if he decides not to snivel
and turn only to drivel?
Wince: You
mean, if I get your meaning, if the disease changes his mind for him. Then he would, metaphysically speaking,
turn around in his tracks. I’ve seen
a strange case in Estonia. The result
is what we call swivel. A common late stage hyperplasia. Many turn to swivel when they’ve gone to
the limits of drivel. And when
sniveling no longer has the usual self-palliative effects. In the act of swiveling, the patient in
effect does a verbal pirouette, aka swivel, for the sake of advancing
incomprehension, if you get my meaning.
MT: You
mean….
Wince: Yes,
I’m afraid so. Swivel is the last
refuge when all drivel has gone its course.
Worst case, the distraught sufferer can’t tell swivel from drivel, even
when snivel has been temporarily relieved, if that makes it simpler for
you. It’s painful for the patient,
but it doesn’t effect a cure.
MT: Yes, the cure. There has to be a cure for my son.
Wince: Sadly,
there is only a race for the cure.
MT: But he’s been weak and out of sorts
for days. I know. I’ve felt it. Felt it here.
Kissy: He
was fine last night.
Wince: So
that’s the Q Disease. It’s very
serious. In fact, unless it’s
carefully concealed,
you can tell when someone has it by the tell-tale phrase they all
utter in their sleep: Q-too? Well,
I have the sample. I can let you know
the prognosis. It could be further
tests will be needed. We’ll get a PDQ,
a lipid panel, a qualude panel, a wood panel, and a
dishpan panel. And finish off with a
flannel panel.
MT: You’re
so kind. I have to lie down. It’s too much for now. (exits)
( Wince starts to
exit. )
Kissy: You’re
a doctor? We didn’t get
introduced. I’m Kissy. Kissy Bazoom. I’m a little bit famous, but not really
famous. I’m the big guy’s sweetie. The Emperor. I call him Emperor because people all do
what he says.
Wince: Ah,
well, he’s a great man and a lucky one.
Kissy: But
he’s very busy. And I have a lot of
time on my hands.
Wince: Well,
you take care of yourself. (starts to
exit. Kissy stands in his way.)
Kissy: I think
doctors are the cutest. They know so
many things. They know how to get to
the bottom of things. Are you like
that?
Wince: Well,
I ….
Kissy: When
I say bottom of things, I mean way down.
Wince: Way…
down?
Kissy: Yeah,
wayyy down. Like that.
Down. ( grabs his tie) Down
inside. ‘Cause when you get down
inside you get to the real thing, don’t you
think? I mean the total
experience. You like real things,
don’t you?
Wince: Well,
what’s real, sometimes, I mean there are times when it’s, I suppose, better than what’s
not. Not real, I mean.
Kissy: Oh,
we agree. We’re on the same
wavelength. That’s so rare. It’s so unusual.
Wince: I’m
so glad you believe me. It touches me
right here. Just between you and me,
well, if you want to know, I’m a total fake.
Kissy: Oh
but then, I’m real. I’m all
real.
(MT returns, comes forward, takes Kissy by the
hand and draws her to one side)
MT: Give
us a little privacy, Doctor. I mean if
you would.
Wince: Oh. Well, sure. Sure, sure. I mean sure. Very sure. Sure…
( Wince
exits)
MT: My
dear, you’re so young. No one can
blame you for a little coquetry, but where does it lead? How can you see the larger picture when you
have so little history to draw from?
Why, look around you. (Kissy does. MT goes to the window to look out.) I remember when my boy first acquired this,
all you see, the great palace and executive conclave here of the Blue Heaven
Amusement Park and environs. That was
his great dream. But was that
enough? No. Soon he had to have it all. The Dilly-Dally Golf Course had to be his
too. And now see out there, well,
beyond those burnt cars and you can see the flags of our own private Silver
Sand Beach Club and the Castle in the Cream Lagoon. Oh, he had to have them. Yes.
Why, ever since he was a pup his little successes cheered me up. Like you, the latest notch on his
bedpost. He’s had hundreds, of
course. But now, even after all these
years, each new romp, it still warms a mother’s heart. I’m so proud. But you’re special, Kissy. You’re something extra. No one can replace you. And what about now? What about you and this great world before
you? I can guess a girl like you has
been around the pool table quite a few times.
You know the right moves of course.
But in the long run, how can I say… have you ever…
Kissy: Huh?
MT: Have
you ever thought of… well, tying the knot?
Kissy: Why
Mother Toot, I didn’t know you were into…
MT: No,
no. Of course…
Kissy: Oh,
I’m not criticizing. I keep an open
mind. I mean really open. You can tell me what’s on your mind.
MT: No, no, child. I mean what about the idea of
marriage?
Kissy: Marriage? Wow.
Really?
Between two people you mean?
Huh! (folds two fingers together) I never thought of that.
MT: Well,
it takes a mother’s higher wisdom to see through the fog to what’s important in
life.
Kissy: You
mean after sex and money.
MT: I
mean in the larger scheme of things.
I mean,… let me ask you: why Kissy, why didn’t
you ever marry?
Kissy: Um,
well to be honest, Mother Toot, hm! I guess I forgot.
MT: And
so that’s why I’m here to remind you.
To round out your ideas, unformed as they are.
Kissy: Gosh. That sounds super. You’d do that for me?
MT: Yes
and who better to choose than my Little Toot?
Hm? I mean he’s Big Toot now, but to me, to a
mother, he’ll always be as he was in those first few golden years. When he was two toots
and then three toots and then ha-ha, high toots to the wind. With his cattle prod electric tank and his
little hammer bashing up this and that.
And now when he’s full grown I want him to feel the exaltation of union,
of togetherness for life, of a bosom companion he can call his own. Oh, and Kissy, you couldn’t have known,
but the glory of the wedding ceremony, the pageantry, the flowers, the gifts
from the hearts of so many, so, so many, the coming together of friends for
life. The music, the orchestral triumphs,
the sparkling society that closeness engenders and marriage makes
complete. It’s an experience of a
lifetime, simply put.
Kissy: Well,
I don’t want to miss out on that, Mother Toot.
MT: So
I’ll arrange it. Leave it to me. I know how to reach his inmost soul.
Kissy: Me
too. Oh. Well, you mean what’s got exalted and
sparkled and with flowers and like that.
MT: Yes. You’ll see. I know what my growing boy needs. Your breasts of course. But so much more that I know you have. Oh, a mother understands even before the
child knows. Yes. One day you’ll see: a mother has her
ways.
(lights out.)
Act II,
sc. 2
(Wince in doctor’s smock with stethoscope. Toot enters.)
Toot: Hey,
Doc, you say I don’t have it, but she says I do. And the 18th hole she said
that’s a goner. What am I to do? She’s the Reality Czar. If I get rid of her, people won’t believe the
fantasy is real. They’ll confuse it
with what’s real and they won’t take the rides any more. I need her to make stuff real but not
really real.
Wince: Well
hey, she sees the other side. The dark side. But you don’t have to see that.
Toot: Dark? Dark? Hey, kid. Get this. This chick, my Reality
Czar. Whatta hunk, heh? Lots
of science stuff she’s got. In addition to… Heh-heh. For the whole of Blue Heaven. Are you thinking straight?
Wince: (faked laugh) Women. What you gonna
do? They all think alike.
Toot: She
says what she thinks is true. (taps on cell) T.
H. N. No. I. She keeps saying that. No.
I keep saying that.
Toot: (to cell) What
is she tweeting? Cure? No cure?
She says if I didn’t have the disease I wouldn’t have lost the 18th
hole. I give her a cool job and she
gives me what? Science? When I got other problems. Big problems. The 18th Hole. It’s gone.
That bitch talks too much. I gotta get
someone to push that cunt under a garbage truck. Well… Ah,
but she has a nice ass. (air gropes)
Damn. No, maybe not.
Wince: (draws Toot aside) Oh, Sir.
I see your problem. Even for a doctor it touches me. I sympathize. For a man of your stature, there’s a better
way, a sweeter way to deal with um… the lady.
Toot: Yeah?
Wince: Hey, she’s
your Reality Czar, well, you know what they think?
Toot: This
one thinks too much. Doesn’t understand me.
Wince: Yes, and
that’s just the start. Then there’s
more. There’s statistics. You get me?
Toot: Of
course I get you. You been here a
while. I’ll mop the floor with
you. Just kidding,
kid.
Wince: Women. They look at the dark side. They’re paid for it.
Toot: I
don’t pay. I don’t pay. Except the super tens, with hooters out to
here, you know. Then I pay a
little. Why not? Give them a good time.
Wince: What’s a Reality
Czar anyway? Just another voice on
the phone you gotta talk to. Or they talk and talk. You got time for that?
Toot: Hey,
depends…
Wince: But
if you get rid of her you have to replace her. With something better.
Toot: Replace
that twat? Eh, she’s got a good
ass. I dunno.
Wince: Easy as
that. ‘Cuz
I’ll tell you, I see it all the time.
They paint the picture they have in their heads and how can you change
that?
Toot: Yeah,
yeah. It’s in their heads. So you change heads. Haaa. Is that funny or
what?
Wince: Yeah, you
change heads. And this is a new one
that doesn’t talk back. It’s a new
head. Here. (pulls out the rubber duck with feathers, squeezes it; it
squeaks. ) See this? This is no ordinary executive
appointment. Oh, no. This, watch closely, this is your next Reality
Czar for all of Blue Heaven. You
replace that ziphead with lipstick — and you get
this. Heh? And lookee
here. See this feather? It looks small, doesn’t it? But. Look closely, that’s artificial
intelligence that’s beyond intelligent.
That right there, that’s a nuclear scientist embedded with deep learning
way down. Stuffed
with super brains. Packed with
all the minds you’ll ever need and then some. You get the idea. Here. From me to you. Henh? Just wait a
couple days, that’ll be the right time.
(Toot examines it, clutches the rubber
duck. )
Toot: Right
time? I’ll fire her right now.
Wince: Ah,
no. That’s too quick. You have to wait for this little fellow’s deep
learning to acquire all the things she knows. Just a day or two.
You don’t want to upset the media. So do it when something else is in the
wind. You give it the higher tweet,
the sweeter tweet.
Toot: Yes,
but still I grieve: that won’t get me back the thing I’ve lost. The last hole. The lost hole.
Wince: Oh, but it
will. With the woman gone, this genius
creature in your hand, what vistas will open up. You’ll be free. Free to strive. To strive higher. To attain your fondest wish and reach for the infinite. The higher perspective,
the deeper mind. And striving higher
you’ll move on to greatness.
Toot: I
hear you. Yeah. The highest. The great minds. (cuddles the duck )
I feel the will to strive rising in
me even now. Higher. To the highest. Yeah.
That’s why I gotta move, move it, move
on. (holds the duck up and gives a last crazy glance at
Wince. Lights out.)
Act II, sc. 3
( Gascone is
slouched as before, alone in the darkness.
Wince enters with flashlight, throws his coat on the floor.)
Wince: They
found out.
Gascone: Were
you followed?
Wince: I
said, they found out.
Gascone: And
you thought they never would.
Wince: I
thought it would take time. But no. A subversive leak. Had to be that. That’s the only way it could have
happened.
Gascone: An
informer.
Wince: Yes.
Gascone: Someone
like yourself.
Wince: Well…
Gascone: Only
more honest.
Wince: Somewhat
honest. Don’t blow it out of
proportion.
Gascone: But
they think they’re safe.
Wince: Yes. Thanks to me. I convinced them that the Q disease can’t
touch him.
Gascone: When
of course it already has.
Wince: Don’t
get simple. I don’t get paid if there are no
problems.
Gascone: No,
you get sacked.
Wince: Which
I don’t intend to happen.
Gascone: Well,
you’d better get cracking then with this new problem.
Wince: It
is a problem. It’s nagging at
them. It’s a brick wall they hadn’t
expected. What would you do?
Gascone: Do? I wouldn’t do anything. I’d just talk, which is what you’re going
to do.
Wince: And
say what?
Gascone: Do
I have to do your thinking for you?
You have the problem, that’s the gold.
This thing with the 18th Hole. Dear to his heart. That’s where you go. Go right to that. It’s a flaw and so you turn it into a
success. It’s a low point, so you make
it into a splendid cliff overlooking the sea. It’s a downer, so you make it into an
ascent.
Wince: Yes. You’re right. That’s where I have him. I have him hooked. I
just have to draw him in.
Gascone: One
thing he loves: the subservience of others.
He likes to be master and take all the world in
servitude. He likes to be
praised. So, isn’t it obvious? The way to his heart? Why, of course you praise. You
adulate. You pretend to adore.
Wince: Then
he thinks he has me in the palm of his hand, whereas I have him in mine.
Gascone: And
draw him on. The
completion. The
taking of territory from those who don’t deserve to have it. Touch
him there and then you own him. On to the greatest height,
the pinnacle of blue, Blue Heaven.
Then he will see a higher light.
Let him. A light he’s never seen before. I’ll show him that, since you can’t. Then, my friend, one of us will be the
captain, the capo of all he surveys.
Act III, sc. 1
(Toot is seated alone downstage. He is intent tweeting on his cell. Often, when someone speaks to him he won’t
answer quickly, but continues his tweet and pauses before speaking. He gives the impression of being oblivious
or perplcxed by others. Now from time to time he makes the motion
of bowling an imaginary bowling ball, down, toward the audience. Each time he does this he pays close
attention to how the imaginary pins fall, sometimes standing up to watch, then
he reacts to this and goes back pecking on his cell. Kushie enters hurriedly, stops with
hesitation. )
Kushie: Uh,… Dad? Dad? (pause while Toot
tweets) I can call you Dad, can’t I?
I mean, if it’s all right.
Toot: Hh?
Kushie: I
can, can’t I? Call you… Dad.
Toot: Of
course. Of course,
son. You’re adopted of course.
But we’re family now.
Kushie: Oh,
good. But hey, well, can I ask you…
something?
Toot: (tweeting) Hm?
Kushie: Dad? It’s kind of important.
Toot: Yeah? Yeah?
What?
Kushie: (hesitates. Nervous laugh ) Oh, nothing.
I’m so silly. (pause) I wonder… um,… mind
telling me, um, how you got to be the CEO of all of Blue Heaven. It’s… it’s such a big job.
Toot: Son,
let me make it clear for you. You
interview for the job and if you interview better than anyone else, hey, you
get the job. That’s the end of
it. Simple? Of course. What you do on the job doesn’t matter,
doesn’t make any difference at all, because you interviewed. Isn’t that obvious? You got the interview and the game is
over. You scored. You won out. That’s how I got to be CEO of Blue
Heaven. Is this too hard for
you? Once you’ve won out, won the
title, the command of the tiller, why then all life is easy. You just have to concentrate on having
fun after that. Culture your
whims. Live them out. Stick by them, stay with the ones you
love. The faves. You
get to the high point like me, then you can make it
all real. You have that right. Because the purpose of life is to make
fantasies real. And what are those fantasies? They’re like little ducks and unicorns and fuzzy
bears that are lost in the wabe. That’s
so big, so huge….
Kushie: What’s
the wabe?
Toot: It’s
… well, it’s…. where you wander with your babe. Like that. The dreams you had when you were a kid are
so cunning and sweet. And they have
lost their way and have to find their manifest destiny after that. Get my meaning? Dreams and whims, hey, they get lost when
we grow up, lost on a sea of useless facts and so we have to find them and
rescue them back to the beautiful world of enhanced illusion, authentic
whimsy. For, better believe it:
enhanced illusion is doing a favor for reality. It’s a beautiful dream, better than the
best CGI because it’s up here and I have it.
(points
to his head) I’ve got the dream
right here. In fact that’s a
beautiful thought right now. I better
send that out (tweets). Y’see, son. That’s the
hard lesson you’ve got to learn: how to
turn facts against themselves so they aren’t facts any more. They become poof and piffle and then
you’re free of them. Freedom, boy.
Freedom to dream!
Kushie: That’s
so impressive, Dad. How you could know
all that. Dad? Please.
What I really wanted was to talk to you about something else.
Toot: Sure. (tweets) Sure.
Kushie: I
can call you Dad, can’t I? I mean,
if it’s all right.
Toot: You
just asked me that.
Kushie: Oh. Right. You’re so perceptive. You think of … all the right things.
Toot: That’s
why I’m CEO, son. So I can lead the
way.
Kushie: Listen,
Dad, there’s something… something I’ve gotta tell
you. Something you ought to
hear.
Toot: See,
I’ve noticed that about you. You don’t
think clearly, Kushie. You’re
confused. Your ideas are muddled. But you’re typical in that way. I’ve seen it many times. And when the whole populace in Blue Heaven is
muddled, that’s when they need a strong CEO.
That’s why I give them what they need. The best rides. The
best thrills. Colorful. High up. They
cry, they plead for someone powerful and assertive, not an economist. That’s why we have it over the Chinese,
they’re only economists.
Kushie: Well,
economics used to be important. Money. At least for
people who, not like us, don’t have any.
Toot: Exactly. If people don’t have any, or don’t have
much, they can’t see the big picture. They
need good rides, good thrills. That’s where I come in. I
give them that. And
how? Because I’ve got what it
takes. Think about it: What’s more important than
money? Eh? Can you guess? What’s more important than brains, hard work,
education, good will, money or any of that?
Do you know? Well, I’ll tell
you. It’s cuteness. Heh? Cuteness trumps all those things. Being cute will open
doors that brains and money and education and using big words—none of them can. And I’m cute. I’ve proven it. They all say it.
Kushie: It
thought you were powerful and assertive and had strong opinions.
Toot: Exactly. That has cuteness built in.
Kushie: But
it’s not the highest. It’s not what
the doctor said would lead you to greatness.
Toot: Not
yet. Not yet. But soon.
Kushie: But
that isn’t really it, Dad. That’s not
what I have to talk to you about. I
mean, it really has to do with something well, that you told me. A few days ago. Like father-son? You remember? Well, no. How could you? It’s only a detail to you, you have your
mind on important things and I, well, I’m just a
footnote in all of that. I mean, I
wish I weren’t. I’d like to be,
well,… important
like you. It’s probably hard for
you to understand what it’s like.
Being me. (Toot bowls.) Like? Being,…well, not
that im-portant.
Might as well say it. But I’m getting there. I’m following your lead. Yes.
What? Why are you doing
that?
(Toot stands and sees the imaginary
strike. He smiles and crosses his arm,
strutting before Kushie.)
Toot: Whattaya see?
Huh?
Kushie: (Stares.
Hesitates.
) Uh,…
well… Strike! Beautiful strike!
Toot: Eh? Eh?
See that? I took the whole
thing. That’s what you gotta do in life, son.
Take the whole thing. (Toot flexes his hand the way he holds a
bowling ball, demonstrating for Kushie.)
Kushie: Well,
actually, that’s what I want to talk to you about, Dad. I mean, as I understand it. What you said. What you told me, well, it was just the
other day.
Toot: And
I told you right.
Kushie: You
remember? How you said… I can’t
quite get to it….
Toot: It’s
easy, son. Here. Put your thumb here. Like this. No, not like that. Like this. You cock it. And then the middle
finger. See how easy it
is? You gotta
grab. And hold. And then you gotta
sail. (Toot makes his bowling motion.) Sail!
And then you let her loose and she sails on down. Pow! Strike! What’d I tell you?
Kushie: I
know. I know. I know that’s exactly what you said.
Toot: Yeah.
Kushie: I
know you’ve got the experience. The know how. The commanding presence
in a tight situation.
Toot: Yeah. Tight. I like’em
tight.
Kushie: And
you always come out on top in the rough and tumble of real life.
Toot: Real? Oh, yeah.
Real real.
Kushie: I
mean the hard facts, that’s what you deal with every
day.
Toot: Hard. (bowls again) Stee-rike! The hard way. But it’s the strike that matters. The all the way. The touchdown. The home run. Hard enough so you can
break plates on it. (Toot bends down and examines Kushie’s crotch
as if he could see through fabric.
He gives the crotch an approving tap.) Can you break plates on it? Can you?
Kushie: Whut? Well,… Can I?
Well, that’s what I wanted to talk to you about, sort of. I mean….
Toot: Don’t
hold back, Son. Speak your mind. I always have. And look where I am now.
Kushie: Well,
you know how you said, I mean when you said, I mean, when I’m with her, with
the woman, with…. My wife. You know.
You said.
Toot: What’d
I say, son? Spit it out. Make sure you get my words right.
Kushie: You
said… you said I gotta grab her like with a bowling
ball. Yeah. With
the middle finger here, up her… you know. And the other finger here, like where,… you catch on. Don’t
you?
Toot: Catch
on. I like that.
Kushie: And
then you squeeze, squeeze hard, you said.
Toot: Yeah. Squeeze hard. Squeeze till she screams. And then you swing. (Toot
goes through the bowling motion again.
He’s ecstatic at the result.) Cast. Bowl. Ooooh. Stee-rike!
Yes. Now
there. There. There you see how it’s done.
Kushie: Well,
Dad. I,… I
tried it and it, well to be honest, it didn’t work out
so well.
Toot: Ah,
well, you missed. Just have to try
again. And practice is where the fun
is. In’it? That’s how you find the sweet spot. See, with your fingers, see? Like this. You feel it. Swee-uht! Eh? Can
you make your grip like this?
Kushie: No,
no. You don’t see. I did what you told me. Pretty much. But I didn’t get the reaction I… well, was
expecting.
Toot: No?
Kushie: No. She said,… well, I
can pretty much say it word for word.
She said….
Toot: Yeah,
spit it out, son.
Kushie: She
said if I did that again, she would cut off my dick, fry it in canola oil and
feed it to the cat.
(Pause while Toot strains in thought.)
Toot: I
didn’t know you had a cat.
Kushie: I
don’t think that’s the….
Toot: Canola
oil. Hm. Might work.
Kushie: And
when she’s angry like that….
Toot: To
the cat. Now that’s imaginative. Feed it to the cat.
Kushie: I
felt she was… I felt humiliated. After all you said. I
don’t think that…
Toot: No,
no. I see it now. You’re facing a problem. You’re facing a hidden obstacle. Something off the
beaten path. But I see the way
out.
Kushie: You
do?
Toot: Yeah. It’s a complex situation. But like all complicated problems, it has
a simple solution.
Kushie: It
does? What’s that?
Toot: It’s
obvious. Can’t you guess?
Kushie: No.
Toot: You
have to kill the cat. Heh? You kill it,
it’s over with, out, then everything will be fixed up.
Kushie: I…
don’t see how that will….
Toot: You
don’t see because you don’t know. How
things work. How things really get
done. Kill the cat. I know how things work.
Kushie: But… well, I dunno. It’s her favorite cat. Her only cat.
Toot: Ehh, son. Stand
back. You gotta
see the bigger picture. Like me.
Kushie: The
cat likes her. I don’t see what that…. She loves the
cat. Who could ever do such a
thing? It’s like lopping off…
something precious, something dear.
Oh, I don’t know.
Toot: Of
course. You’d be blamed. It has to be someone else, someone willing
to kill.
Kushie: Who
could be so heartless?
Toot: Leave
it to me. I might know someone.
Act III, sc. 2
(Wedding music from Lohengrin)
MT: This’ll be something to see. There
he is, my boy. He’s no longer little
Toot; he’s Big Toot now. See how he
shines. His hair combed just right. Like that my boy can stay young forever—so,
ha-ha, why grow up at all?
Kushie: He
doesn’t need to. Everyone follows in his wake wherever he
leads.
MT: A
little child shall lead them, isn’t that sweet?
Kushie: How
everybody’s keyed up. And of course the paparazzi, hanging from the chandeliers. Oh, I could like being a paparazzo. Exciting life. Getting in people’s
faces. Especially
if they’re rich and repugnant. Feeling those vicious rays of hatred from people who are helpless
to do anything really hateful to you.
Ah. Might be fulfilling at the
end of the day. But sadly it’s
only a pipedream for me; I’m too busy being rich myself. See them crowd around the groom, pumped with
excitement and trying not to show it.
Toot: (on his cell, off to one side) Oh, Harvey.
Harvey, you kill me.
Uh-huh. Uh-huh. And you made her do what?
MT: Oh,
here comes the bride all decked out.
(Kissy enters)
Toot: Oh,
that’ll show her. And then? Five more times after that? Yeah.
Yeah. Oh, you know how to do
it, Harv.
MT: Son. Son. Pay
attention. Isn’t she lovely? I designed that dress myself. Son.
Toot: Just
a minute, Harv.
What is it?
MT: You
look magnificent, yes. If I do say so myself.
Kushie: The
feeling of celebration is vibrating in the air. That wonderful once in a
lifetime feeling of something really important being done and the greatness
radiates down for all to feel, feel how deeply we care.
Toot: And
then you didn’t give her the part anyway?
After she worked so hard? Harv, you are such a kidder.
Kushie: And
Big Toot, his biggest moment, is enjoying it all the more.
Toot: Complain? Why would she complain? She needs the practice. Build her craft. How is she gonna
learn if she gets no experience? Plus
hey, she had a good time, I can tell that.
MT: Son. Dearest, come over here. Look.
Look at the lovely bride.
Toot: Call
you back, Harv.
Little fire to put out. (pockets his cell.) Huh?
What?
MT: You march out and walk down the
aisle. Before the
bride.
Toot: Bride? Oh. Right.
MT: Kissy. Look at her. She just dazzling. She’s so happy to be here. Such a little temptress. Cute as a plum pudding. All juicy, eager and
sweet. All
for you, my son.
Toot: Hm? Where? Oh yeah.
(goes to take Kissy’s
hand)
(
From the wings
Gascone, disguised as a priest shrouded in black, races to center stage. He carries a black book and a large tablet
of ledger paper. He starts speaking
while still off stage.)
Gascone: Dearly
beloved, sisters and brothers we are gathered here together… Oh, box! Can’t we stop with this repetitious song of
artificial convention everyone knows till they’re sick? Does anyone here what have you in that case
and if…all the same whichever in the next…. run for the wine and cheese… but in
all events forever hold their peace? I’m for genuine feelings whenever those can
be found anywhere by anyone who so ever anyway.
Kissy: Me
too.
Gascone: And
with getting to the point before we stretch it out interminably to the boredom
of everyone, even the paparazzi who are never bored. Won’t you agree?
Kissy: Oh,
I agree.
Gascone: Do
you, Kissy… oh bollox. … and so on so on so on… have
you thought this over? Well?
Kissy: Oh
sure. Fine by me.
Gascone: You’re
cool. Do you, Emperor and CEO of the
Blue Heaven Amusement Park, the Dilly-Dally golf course and environs plus
numerous territories off shore and not, through nested shell corporations known
and unknown including but not limited to all those sequestered by the pre-nuptual agreement attested and affirmed herein and hereby….I’ve
forgotten the rest but anyway how do you plead? Sir? Sir? Answer the
question.
Toot: Yeah right. Cut to the drinks.
( Gascone tears off a huge sheet from his ledger and
presents it to Kissy. Gascone runs for
the exit, delivering part of the next line off stage. )
Gascone: Here’s
your receipt, and my ditto from the receipt.
I now pronounce you hu-hubitz and why-whiffle. And you may kiss the bride.
MT: Oh, it brings tears. Kiss.
Kiss your little sweetie, darling.
Toot: Huh? Oh, yeah.
( Toot
grabs his mother’s hand and kisses Kissy.
She fishes a diamond ring out of
his pocket and proudly displays it. Kissy dreamily separates and flaunts the
receipt. Toot tweets. )
Kissy: Well,
I want to tell you all: this is such an exciting moment. I’ll always, oh, I’ll always
remember. And this
wonderful receipt. Wow! Official and everything. I’ll frame it in gold and display it in the
bedroom of that memorable yacht where we first… you know. It symbolizes the deep feeling of being
married to such an important man. And he has atomic weapons, did you know
that? Which most amusement parks never
get. Because he’s
the Emperor and CEO. Yes. I’m so lucky. Most girls don’t ever get one of
these. See? See? And did you get a picture of this? See?
( Kissy
takes modeling poses, holds up her ring and the receipt trophy-like, the music
rises and flashes pop till black out.)
Act
III, sc. 3
(Gascone
enters from left. As he proceeds, he
throws off parts of his priest costume.
Wince follows.)
Wince: Will
you stop. Now you’re here, now you’re there. Don’t you ever plant yourself
somewhere?
Gascone: I’m
stopped. I’m here. Get me a drink.
Wince: You’ve
really blown it now. You’ve really
done it.
(finds a bottle, brings
it with a glass )
Gascone: You
can’t blow this.
Wince: So
you think. He’s not striving. You’ve
let him lapse.
Gascone: Striving
was your job.
Wince: He’s
gonna forget.
Gascone: ( pours)
He won’t forget.
Wince: He
might. He’s
changeable. Any thought, any
syllable, doesn’t have to follow from the one before. If he’s too happy, you watch, he’ll
forget.
Gascone: Happy? Happy did you say? Happy from getting
married? Don’t make me
puke.
Wince: Well,
content. Happy in
some other form.
Gascone: You
can call it happiness. Even if it’s just an illusion. A perisheable
thing made out of clouds, out of idle whims preserved in the freezer of his
dreams. Happiness, well I admit, could
get in the way.
Wince: So. Then you see my point. We
have a problem.
Gascone: We
don’t have a problem.
Wince: You
think. But if he
forgets, then what? It will go
on. Go on forever. You want that?
Gascone: All
right. If it costs nothing, I’ll
intervene.
Wince: Ah. All right. You make it sound simple. How will you do that?
Gascone: Oh,
well,… you
create a disturbance. A quirky chance occurrence if you will. Or give that impression. He’ll
like that. It obviates thought which
he doesn’t like anyway. Hm. But the tenor of that…
Wince: Yes. The tenor must be?
Gascone: It
must have a special flavor borne in the texture of the moment. It must have things he’s seen before
intertwined with things he hasn’t.
Better yet: give it a twist and a chance to blame someone.
Wince: That’s
important. Adds
weight. Someone else you
mean.
Gascone: That
too. Has to be something
strange, though. Something
irrational like himself but it must not seem so. Something he can’t ridicule right away. It should be loveable and have to his
heart some secret appeal. Touch his
quaint indifference to, well, to love. Something fitting to the
moment yet strange, obscure but acceptable by convention. Hm. I have to
think.
Wince: (grabs the bottle) Give
me some of that. You always take the
last. Thing about you I’ve
noticed.
Act III, sc. 4
( Kissy & Toot are in bed. She snuggles up on his shoulder. He is busy tweeting. )
Kissy: Oh, we’re
so different now. It’s like a new
world. We’re not just two people,
we’re we. I had no idea how it would make me feel. Do you feel it too?
Toot: Sure.
Kissy: Married
people must be different. It’s a new kind of existence almost. A
couple is different from just friends, don’t you think?
Toot: Yeah,
yeah. How do you spell shit hole? If you put the words together it’s like
she-thole. Nah. That can’t be
right. I need a hyphen. Where’s the hyphen on this thing?
Kissy: It’s
like a new form of togetherness all over.
Of intimacy unknown before. Something serene and other worldly and makes
me feel sorry for all the unmarried people out there. How they must feel so, well, lonely. Do you feel it too?
Toot: Eh. Poor slobs. Pathetic excuse. Low class. Seen it… all. No hyphen.
Kissy: But
we, we’re one. We’re not even two
anymore. One. We’ve found something else. Something precious and dear that comes
only to…. To…. To the best people.
People like we know and who know and
care about us…
( From offstage a door slams and Lotta cries loudly )
Lotta: You’re
toast!
( Lotta strides in.
She is angry and over dressed. )
Lotta: What
did you do to the Estonians? And
what’s this 18th hole charade? You call this an amusement park? I’m not amused. Did you hear them outside? You want to be burned at the stake? You the great piñata? They’re coming for your gut this
time. Reality. Reality is catching up.
( Lotta
sits on the bed, yanks off her shoes and angrily throws them on the floor. All through the scene she undresses,
throwing her clothes anywhere till she is down to her slip. )
Toot: Who?
(As Lotta goes on, Toot sinks beneath the sheets. )
Lotta: Who,
he asks. Who? What are you thinking? You’re going to exclude me? You’re not going to exclude me. You’re gonna
replace me with a stuffed toy? Where
is it? Are you out of your mind? With all my experience, my expertise, the
people I know and who love me? My cheekbones, this ass, my push up bra and all that? Reality Czar after all. What does this thing know about how people
believe, how fantasy becomes real and what’s real doesn’t matter?
(Toot
looks hopefully at the rubber duck and squeezes it. )
Kissy: Golly,
you know about all that?
Toot: (points to feather) Nuclear
scientist.
Lotta: The
what?
Kissy: He
told me about it. It’s artificial
intelligence. Which is a better kind. Better than the …you know. See? Right here. In concentrated form. Right here. The doctor said. Doc Fok said.
Lotta:
And have you forgotten the
most important part? The Chinese aren’t
selling the 18the Hole. No. Their leaders are economists, a sign of
their perversity and their hatred of the Dilly-Dally life style that makes Blue
Heaven blue. As the price goes lower, they sell debt and
buy equity. Disaster. Bankruptcy now will be real news, not
fabricated.
(Kissy yawns, blissfully stretches out, turns to
looking for split ends. )
Toot: This
feather here. Doc Fok
said….
Lotta: Yeah,
what did he say? Hm? Tell me.
Toot: He
got it to say stuff. He
reported that they said stuff. It’s in
the news.
Lotta: Uh-huh. You get that from your nuclear genius? Your doctor with the cute
feather? You think that’s real? You think you can get my kind of insight from
a plastic stand in, an ersatz kewpy made in
Estonia?
Toot: (mumbles) Says
made in Mexico.
Lotta: You
remember when I tried out for this job?
A bunch of nerds and tenured flops, PhD’s in bird watching and bathtub
canoeing was the competition. I blew
them away. They couldn’t compete with
me. And the new rides I created? Huh?
The one with the tunnel off the cliff? And the molasses swim? That’s a seller. And I invented sex toys like they don’t
sell in Iowa. And now you’re gonna
second guess all that I’ve got because of your petty tiff with the
Chinese?
Toot: It
isn’t petty. It’s slippery
slope. (starts to cry)
Lotta: So
squabble. I don’t care. Just you get back the 18th Hole and we’ll be cool.
What? Aren’t you listening?
Toot: They
… won’t sell.
Lotta: Oh
Darling, don’t cry.
Toot: I
can’t take it. I can’t take anymore. It’s like I lost a limb. (turns and hides his face)
Lotta: Toot,
honey. Honeyy. What
are you feeling today? Is it umpsa-wumpsa? Or
is it kuziluzatay?
Have you been burped? Come here. Let me caress that troubled mind. (she cuddles him tenderly, then pushes him away) Did you see your hairdresser today?
Toot: Coiffeur. He’s my coiffeur. I gotta see him. See him tomorrow.
Lotta: Of
course you will. Coiffeur
to the stars. Coiffeur to the rich and bothered. What did he say about your feathered
toy?
Toot: He
knows the doctor. The doctor said it
was the very best thing. The latest technology in hair. It will relieve all the pressure. I have to answer to the press. The media hounds me day and night. Doc Fok said this
was the thing. They only make them in
Mexico, in Teotehuacan. Has to be special order. And there are only a few of them
around. You have to wait years and
someone has to lose a limb and catch a disease to sanctify the process of
making one of these. Underneath it
all, the secret is that the toy is really an atomic scientist in disguise. That’s how special it is.
Lotta: And
you believe that? I’ve heard better
stories on morning television. C’mere. You
need to relax. You’ve had a tough
day. The ceremony. The reception. Non-stop idiots
congratulating the bride. Did
they ignore you? That’s exhausting. Let me caress that troubled paunch. That itchy fuzzy wuzzy. You
always liked that.
Toot: Yeah,
I did.
Kissy: He
does?
Lotta: And
you still do. I see that little
smile, that little bubba-wubba smile you get when
you’re all tickled inside like now.
Toot: Well,
that’s how you got this job. You were
more real than the others.
Lotta: Yes,
and that began our sweet times together, didn’t it? So, we have to let the water drift the way
it wants, don’t we? Gimme that. (pockets the rubber
duck) Enough
with these disturbing ideas.
That’s for tourists. Not for nothing I’m the Czar. You can’t fire me; I’m reality.
Toot: So
what do I tell the doctor? He’s gonna sulk.
Lotta: Oh,
Toot, honey. Honeey. You the master of make believe to the
stars. You the mandrake of metaphors,
just tell him I’ll see him, darling, I’ll meet with him and we’ll work out a
modus vivendi. Or there’ll be a
report. And a committee will offer it
for review. Doctor! Are you saying some doctor can come
between us? Between you and me?
Toot: Er,… No, no. I guess, now you put it that way. You have such a way about you.
Lotta: And
what about your bride? You gonna forget her?
Toot: No,
no, of course not. She deserves the best.
(Lotta crawls in bed and lies between Toot and
Kissy)
Lotta: (to Kissy) And
you do too, sweetie. Don’t sell
yourself short. Being the wife of
the CEO of Blue Heaven Amusement Park isn’t nothing. You can go a ways with a game like
that. Just because
there are other chicks waiting in the wings, that’s no reason for you to give
up your pride of place.
Kissy: Really? Honestly?
You think so?
Lotta: (snaps out the light) I know it.
Act IV, sc. 1
( Toot is
seated downstage center in a barber’s chair.
He holds a mirror, admiring himself.
)
Gascone: ( Wafting a lock of Toot’s hair ) What we show to the people is our golden
gift we shower upon them, Sir. And
then it becomes, why, it becomes all that they have and know. If we spin it right, well, we make their
world for them. And should we let them doubt that little that
they are so sure of? Nah. What’s dear to
their hearts? Assurance. Credulity. The knowledge that they know they know. See? And here, as if proof were needed, hey, you
see: appearance is what is real. I
mean, if you comb it right. And here
we are and here we will.
Toot: A
little off the left. That fuzz. (Gascone
lifts a lock) Yeah,
there.
Gascone: The
truth lies in the mind. And what is
closest to the mind? Hair. Hair
and great ideas both come from the head. If the
hair is right oh, let me tell you, then fantasy and
reality merge and become one. And we can stop and start anything, science,
history, public events, stop and make it start running again, like a toy train. Like the toy train that is is. Because it’s all in the mind and the mind is
the world. (Combs the hair one way) If you merely make a small adjustment in your thinking. (Combs
the other way) Then the facts all
gather round like friendly admirers, customers come to buy the rides, sit in
the seats, enjoy the fun. And
what is hair, hm, Mon General, may I call you El
Caudillo, or would I better say Commander of the Host of all Blue Heaven?
Toot: Yeah.
Gascone: Yes. Here we see the luster of each glowing
lock, tender in its effulgence, oooh such brilliance
grows out of the fertile soil of the mind itself. Hair? See? Imagine
for a moment, for now, Dear Toot, and in the glance of a moment I will show you
what? What is real. Ah, look at that, Sir. A
simple strand of hair, it rises like an opalescent geyser from the clear lake below,
the thinking mind, the deep abode of understanding. Yes, out of the soul of comprehension the
beatific strand arises, the map becomes the territory, all you see, and what
you dreamed when you were small becomes at last what happens in your time.
( Toot burps. )
Gascone: So
let me take you on a journey, heh?
( Gascone
swivels Toot’s chair to face right. A
soft orange glow enshrouds them from above and brightens in yellow and purple
rays. As Gascone speaks the light varies
and shines slowly from lower and lower before them, meaning Toot and Gascone
are rising to a higher and higher vantage on the Ferris wheel. )
Gascone: This
will be a journey only a coiffeur of the real and what is hoped for can arrange. This, even on your own Blue Heaven Ferris
wheel, this will be the greatest ride of all, where we see a new world, where yesterday’s
whimsical phantoms become what’s lived in now. And you see how we rise, rise as hair and idle
thoughts arise, toward the highest point in all blue Blue
Heaven, on the Ferris Wheel of Higher Dreams.
Toot: Yeh. High up.
Gascone: Now
look, Sir. See? We sail upward on shining steel circles,
higher, higher now, rising toward the pinnacle of all that is truly Blue. Yes, here
we lift, we arise on the Ferris Wheel of Greatness. Look,
Sir, see the green plain below, your land, spreading out beneath you like a
child’s first vision of its magical home.
Oh, and there. See the little people, harmless really,
never interfering with our greater vision, they stray, they wander about their
aimless ways. Look on. See.
Now we arise and rise
higher. The large perspective unfolds
beneath you and all, all this, all that you see is yours.
(Pause while the light glows over their
faces. A soft music cue.)
Gascone: Ah,
but is that enough? It’s a child’s
ecstatic dream, but how can we make it more so? Like this. (Combs
up a lock of Toot’s hair. ) For the highest attainment in life, as you
well know, is to live out your fantasies, the video game that was always there
just waiting to become real. Here the dream arises, the dream for you to
strive and strive still higher. For as
you rise, you pass above all smaller things, you waft through many levels of small
details. Old complicated words ensnare
the ignorant, morbid accountants, look at them below, simple
people dazed in the swamp of muddy facts.
Not for you. Those musty books
are for librarians and petty thinkers, how they huddle in their cubicles, lost,
receding far below, as we ascend higher to your realm, the realm of inspiration,
of rising of your magnificence. This
at last is where you shine. Here rising
on a high circle is no dawdling with picky gotchas. August flights of mind lift us far above all
that. As we rise higher in the firmament, we see it
all stretched out beneath us, a pretty land where ordinary drudges do our
chores and ply their simple ways. Now you sail, sail above them, you magisterially
disdain their world, their tinny facts and petty brawling.
Toot: Yah. Not petty. No, no.
Gascone: All
of this you own, Sir. All of this is
your domain.
Toot: I
own it. It is mine.
Gascone: All
these little things dwell within your house.
See, they creep so far beneath you.
Toot: They
envy the higher strength, the higher truth.
Gascone: They
envy the greatness that is yours.
(Raises his arm for applause cue. Huzzahs
of applause rise in crescendo as Gascone twirls his
arm with directorial gusto.)
Toot: There,
my loyal followers, ah, how they applaud.
I love to hear their frantic cries.
( When Gascone strikes down, the applause suddenly
stop. )
Gascone: They
lift their yearning eyes. Your
slightest gesture is all the gratitude they need.
Toot: Hey! What is that over there? Is that a place, that sort of … dark mound? That
blot on the ragged outskirts looks like a hovel I never bought or dreamed. I never saw that before.
Gascone: Oh,
that. That’s some old house, I’ve been there once or twice myself. It’s been off in that outpost for ages, I
don’t know why.
Toot: Is
that a house? Who could
live there? It looks so … cheap. Old tires and dilapidated
trailers? Laundry
hung on a dumpster bin? What?
Can’t they clean up their
yard? That doesn’t belong in Blue Heaven.
Gascone: I
know. A patient old couple lives there. Pathetic, really. They probably came from another amusement
park and settled here somehow happy in their humble circumstance. I
agree it’s out of place. I remember ages
past when you bought Blue Heaven and environs. All the other tenants happily took your gifts
and left. But those two down there
for some strange reason would not leave.
They held out. Look at them, silly in their imagined bliss, sitting
there, smiling by dilapidated walls, as if they were happy in that squalor. As if they had no cares, no
striving for greater greatness.
Sentimental ignorance, I
guess. Shall I abolish them, Sir?
Toot: Yeah. Get it over with. I want to be complete. And pure. That’s not right for Blue Heaven. That’s not blue.
( Gascone
raises his arm. Crash
of an explosion and distant screams off stage. A new
glow of fire light shines on Toot. Then silence.)
Gascone: Done,
Sir. Yeh, in the twinkling of an eye. See?
And now, (
bucolic music queue ) a
rainbow descends where that bad spot was, strung out long past its allotted
time. Now you see it too is really yours. All yours, Sir, to have
and make your own.
(Lotta enters from stage left.
)
Lotta: He
owns it? Him? You don’t own it, Sweetie. You did.
Not anymore. Not now.
Ha-ha. The 18th Hole
isn’t yours. 18. 18 no more.
It’s theirs. Theirs. Theirs. (exit.)
Toot: What
did she say? I heard a voice. An
old thought, or a bad dream. Oh! The 18th Hole.
Where? Where is that?
(Gascone puts on a Chinese garment and cap. He fakes a Chinese accent.)
Gascone: Oh,
so please. Is lovely lovely 18 Hole. Is all smooth grass. Sooo smooth. So green. And little
hole take golf ball go way inside go. Plink-plonk.
Thank you. Thank
you. Is pretty what you got, lots of
blue? Oh, so please. Thank you make ours
now. So kind. 18 is 2 times 9, you know?
Is 3 times 6.
Oooooh. Very lucky number in Chinese. Very lucky is Chinese now. Plink-plonk. Make Chinese take out
on 18. Oh, and not to worry, we put up wonton nukey missiles just for show. Better
sand trap. Hit golf balls long way off high up laser
guide. Yeah. Blue Heaven is very best. You come
visit. Stay over
night, bring girl friend, nice bed, eat lots ramen. We always friendly. Make pretty for you. We always welcome nice people Blue
Heaven. Is the
best best.
Thank you. Thank you. Very great, our hole now.
(Gascone changes back to his own clothes. )
Toot: Oh,
God. They do own it. I
thought it was a bad dream. They really really
own it. This is Hell.
Gascone: Oh,
Hell is far from here, Sir. A long ways. A place far below.
Toot: They
own it? That can’t be true. There must be a way. What can I do to get it back?
Gascone: I’ll
show you soon. Now say farewell to
this pinnacle of the possible. Now let the Wheel of Fantasy circle softly
down and we will drift far away.
(
Light that
before descended now ascends showing Toot and Gascone passing lower down. )
Gascone: Now
we descend but the dream goes on. Sinking. Sinking. Ethereal
heights like we’ve seen ennoble you, but for the rest of us, they can make us
giddy. So for myself, I feel more solid in the lowest
place. Are you quite at home on this
Earth? Enjoy, swell up, take in its solid frankness. After the heights and all
their glow, we must journey to a darker realm.
( Gascone twirls
Toot’s chair in the opposite direction.
Now the lighting moves behind them and what Toot faces is a rippling purple
dark. )
Toot: 18? Did she say 18? What? Did you say something? Where are we now? ( Pecks cell. ) It says there is nothing here.
Gascone: Nothing
that you can see yet. But as your
vision clears many forms will rise up from the dark that is their home.
Toot: Dark? I like the light, but dark is
mysterious. There must be some
strange meaning here.
Gascone: Yes. We journey now to a region that others never
see. They only dwell on the surface but we go
deep. We descend into the heavy black earth beneath
the sun of Greater Blue Heaven. Here below are rippling murmurs; we feel liquid
vibrations of messages from below.
Here the flow of the Q disease runs fast and heavy and people arise that
think getting sick is bad.
Toot: Yes. Bad.
Gascone: But
they’ve been taught to think that way.
Toot: How?
Gascone: By
a ruse that only lies here in these hidden places. Oh, you’ll soon see. It’s all a sophisticated media ploy.
Toot: A
ploy? Oh, good.
Gascone: Yes. The ploy’s a dance they do to make people
believe what they say.
Toot: … make
people believe…. Hey, that’s my idea.
We should get that ploy.
Gascone: Only
if we find the one who has it.
Toot: It’s
so dark. Is there anyone here?
Gascone: There
are many people here.
Toot: Turn
on the light.
Gascone: Ah,
here the light you see, that is all there is. Down this way we follow to the last great
tunnel, to the abyss they call the Cavern of Credulity. Isn’t that lovely, Sir? It’s
dark, but there’s plenty to believe in.
And here in the dark they do believe.
Believe every word you say.
( Sound of an adulant choir.)
Toot: Ah,
at last.
Kissy: ( suddenly entering.
) Eeehyeww! Why are you down here? It’s wet and damp.
Toot: That’s
enough. They can do no more.
( Kissy recedes into shadow, tiptoeing to avoid puddles.
)
Gascone: See,
they hide in the shadows now, cowering from the light you bring.
Lotta: ( suddenly entering.
) He doesn’t bring
light. But this is the right place
for him. (Looks above.) It could do with some touch ups. Mauve drapes would help a lot.
Toot: What
I said. The higher
light. The
greater light. Then they’ll
have means to admire me more.
MT: (off)
And they will too, son. ( She enters from the
dark) Oh, my dear. Welcome.
You have come to visit your ol’ mum at
last.
Lotta: Floor’s
kind of sticky. But I could fix that.
Gascone: It’s
damp and dark but it has to be endured.
Now here, Sir, here is the
key. For where we stand now is the
dark foundation beneath it, beneath the gold we seek, the 18th Hole.
Toot: Yes! The 18th Hole. But where? I
don’t see it.
Kissy: Oh! He needs help. Here.
Here I am. (runs to embrace Toot
)
( MT advances. Behind her Wince pushes a light decorative
table on which is placed a tall wine glass containing a golf ball.)
MT: But it is
here, darling. You’ve come at last to
the very depths, the dark beneath the green, beneath the silver stalactite beside
the 18th Hole. Yes. Up there where those
foreigners are planted, unsuspecting.
But its strong foundation, what
it cannot do without, lies where we stand, right here.
Kissy: That’s
so cute.
Toot: That? That little light?
MT: It
looks small from here. But this is
where the finest, the greatest golf balls go. ( Takes out the golf ball and holds it
aloft. ) Only the prettiest, the finest for my dearest.
( MT
tosses the ball so it bounces across the stage toward Lotta. )
Gascone: (to Wince) What’re you just standing there? Get it.
Get that. (Wince scrambles to retrieve the ball. Lotta kicks it out of the way. ) What are you supposed to be doing?
Wince: Sorry. I… I’m adulating. Am I doing it right?
MT: But
there were many great golf balls before this. I couldn’t be here for you without
collecting the finest of the fine.
( MT opens her purse and pulls out another golf
ball. She tosses it and Wince runs after
it. During what follows she does this
more times. Wince runs after each ball and sometimes
proudly displays his find. He and the
others do a chaotic dance around Toot, losing and finding golf balls. Sometimes they produce golf balls from their
pockets and toss them at each other.)
Toot: The
great ones! The best! Whoever says it’s not is…stupid. I can’t emphasize this enough. They are liars who say it’s not so. So. So-so. They tell a falsehood, don’t they? Do-do they do. Woopie iddil visca whozex mipple? Anda kinflix whakka nigga antwo! And I
furthermore deckwa…
( Violently MT stuffs golf balls (at least one) in Toot’s
mouth. He falls back in the barber’s
chair flails around. Kissy runs to
help. Lotta yanks her away and tries
to put in another golf ball. MT yanks
Lotta away and pats Toot’s chest.)
MT: I remember when the Sultan of
Brunei scrambled in the rough and you made a birdie right past him. Right past him. How
he suffered with his tragic loss.
All: How he suffered from his tragic
loss.
(
They adlib
repeating this to each other as they toss golf balls. Soon they break into song. )
If you’re
comatose from bad TV
Addicted
to dishonesty
Come on
down, we’ll ease your soul
At the 18th Hole.
If you
sense your orifice
Hungers
for a night of bliss
You can bring
your jelly roll
To the 18th
Hole
In the
cavern of delight
Come with
us, spend the night.
Make
fantasy your everlivin’ goal
At the 18th Hole.
(
Desperate to speak
Toot flails more, spits out the golf ball.
When he sees MT coming he puts it back in. )
MT: My
son! My Dearest! Let me help ‘ouou.
( MT runs and extracts the golf ball. She chortles, tosses it in the air, rejoins
the others and they go on singing and dancing in a circle.)
In the
Tunnel of Credulity
Lives a Wizard, come and see.
He has
greatness you’ll extol
Underneath the 18th Hole.
Toot: Wait! Stop!
(they all
do.) Did you say Wizard? There’s a Wizard? A wizard down here?
( Gascone dons a
Wizard’s cape and hat. He strides
opposite the singers.)
Kushie: It’s
him? It’s really him?
Lotta: Yes. I’ve seen him before. It’s really the wizard.
Kissy: The
Wizard? There’s really a Wizard?
MT: I
knew it. It’s he.
Lotta: He’s
really the Wizard, The Wizard of High Drivel.
Kushie: High. Higher. High drivel.
Kissy: The
Wizard of High Drivel. My.
MT: I
knew he was down here. Where else
would he be?
Kissy: High
drivel means high. High
up. Hieee.
All: Yes,
he’s the magical wizard, the Wizard of Snivel and Highest High Drivel.
Toot: But
does he know, can he figure how to get back the 18th Hole?
Gascone: Yes! (raises his hand for silence) Welcome, you who have come down here for
me. The highest calls
and the lowest answers back. All
those who are incomplete, they come at last to me. And I will make them whole. You come to find the secret of credulity
and I will answer you. I see the
longing in your faces, longing for what you’ve lost. It will be returned. The one who took it crouches like a
thief, a parasite on Blue Heaven, and should the parasite rule the host? No more. Now comes the time. To take it back. What
secret force can drive the alien from our turf? Poison it, I say. Then the parasite will flee. Poison it and they will sell. Poison it and it will be yours. Yours again. Yours always and for
evermore.
Lotta: Poison? Did you say poison?
Kissy: Eeehyeww!
Lotta:
(points upward) Up there? Up there?
All: Up
there? Where?
MT: Why
not up there? That’s where the hole
is.
Kushie: Where
we can’t even see?
Kissy: Poison
it? We can’t do that.
Kushie: It’ll
make a mess.
Lotta: So? They’ll clean it up.
Gascone: I
summon now another who is mighty as I am.
With the mighty potion he alone has, he at last will work your
will. He will make you whole. I
summon from the dark abode. I waken
him from sleep.
(pause)
MT: Awaken
who?
All: Who? Who?
Gascone: The
great doctor. Doc Fok. Come!
(from behind Gascone Wince appears as if pulled from
Gascone’s Wizard garment. )
Gascone: He rises up with power.
Wince: I
come and I obey. The wish of
greatness is my wish too.
Toot: Then
you have one simple thing to do. I’ll
give it to you now: Get me back that 18th Hole.
Wince: Yes. Sir. Oh, I will. Now. (Wince
magisterially produces the hypodermic syringe.) See? It’s
a great invention, Sir, the anti-toxin toxin. It will steal into the veins, into the
hearts of the ones we want out. Oh,
the horror they will feel when they see their 18th Hole now. I’ll make it stink. I’ll make it putrid. Then, you’ll see, they’ll run like scared rabbits.
Toot: There you go. They’ll be forced to sell at depressed
prices. We’ll buy it back and make a
killing.
Kushie: You
mean the Chinese, Sir? Wuh,… aren’t they gonna know? Aren’t they gonna
find out what he’s doing?
Toot: Don’t
be stupid. We’ll do it when they’re not looking.
Wince: Of
course. Catch them off guard.
Gascone: Yes,
from below. From
where they never look.
Wince: Oh,
it’s going to be magnificent. Now watch.
Just watch.
(Wince aims the syringe upward. Lotta, Kissy, Kushie, MT run to see. A
colorful sparkling liquid sprays up. All stand back, amazed. )
Gascone: And
now credulity falls like rain. They
will all believe in you now, Sir. All.
All: Yay. Yay. We poisoned the 18th Hole. We poisoned the 18th Hole. To hell with the 18th
Hole. Hell sprinkles up. Blue sprinkles down. No more strange balls in the 18th
Hole.
( Lotta, Kissy, Kushie, MT trail out chanting. Gascone stands to one side, shielded in his
Wizard’s cloak.)
Toot: It’
done. I did it. They’ll flee now.
Wince: It’s
to your credit, Sir. You took care of
it. All the glory is yours. I was
only the messenger, the instrument of your wish. Oh, yes.
That 18th Hole will
be a tarpit now.
A swamp.
Snakes and alligators will be the voting populace. Those cheesie Chinese
won’t want that Hole after this.
Toot: Just
goes to show the old rule: if you’re really obnoxious, people move away and you
get their territory. Nothing better than that.
Wince: I
went that extra mile but it’s only what you deserve.
Toot: You
did well, Doc. You’re a little great
too. Now you wanta
do something for me?
Wince: Of
course. Oh, Sir, I live to satisfy
you.
Toot: Okay. Good.
Kill the cat.
Wince: What? The cat? Oh. Well.
Well, you know, I’ve seen it. It’s
not an ordinary cat. It does hey-heh,
delightful tricks. Hilarious really. There’s one with a candelabra and a witch’s
broom that’s a real crowd pleaser.
Toot: Yeah.
Yeah.
I got it. Kill it.
Wince: The
cat oh, well, the cat will… resist, won’t it?. But I
see you’re definite. (pause) Decisive. So
consider it done. Count on me. With death the cat will be brought low at
last. Yes. And so of course we will rise above. I see
it now. I see you rising, rising to greatness, the
greatness you deserve.
(Wince exits.
Stage darkens except for a light on Gascone.)
Gascone: Now at
last the cat, the cat will soon, soon be thinking
eternal thoughts. How sad.
Act IV, sc. 2
(
The left quarter
of the stage is Gascone’s office as in the first scene. The rest is hidden by a curtain. Gascone in his normal attire sits as in
the first scene but with a VR headset on.
He has a drink. He smiles and takes
a sip. Wince enters with flashlight.)
Wince: You like
it dark.
Gascone: It’s not
dark. It’s all light.
Wince: Take
that thing off. (
Gascone does. Wince switches on a dim light)
I got it wired now.
Gascone: Do you
now?
Wince: I know
your attitude. Give it some time. You’re always negative, even when it does
something good for people you hate. You hate him? Doesn’t matter. He’s depressed.
Gascone: You
picked him up. You solved his
problem. You made his precious domain
complete and now, what, he’s depressed?
Wince: Could
be. Not bad for me of course. He
surveys everywhere but it’s never enough.
Gascone: And
that, you think is good?
Wince: Yeah. Wait’ll you see.
He’s not as happy as he yearns to be.
Not as complete even as his domain grows and grows. And yeah, that’s good. Because then I have a solution. I’ll make him omnipotent again. Wait
till you see. In fact right now. Let me transport you a little as you
transported him. To
the land of dreams. You know
the old old song…..
( Wince draws aside the curtain on the rest of the
stage. This discloses a platform three
or four feet elevated from the stage.
On the platform is a business desk with TV and computer, and a Morris chair. There is a stair off the left edge of the
platform, leading up to it. Around
the edge of the platform is festive red, white and blue bunting. Rising above that are numerous colorful
balloons. Supporting the platform is a
wire cage three or four feet high, wide enough to extend to the edge of the
platform in some places. The cage has a
door that locks. In the cage are a pillow, a blanket and a
chamber pot. Above this a roll of
toilet paper hangs on a wire. Nearby a plastic cup with a spoon and toothbrush hangs from another
wire. On a hook hangs a musty
shirt. Below the desk is a small slot
which the person below can reach through. )
Wince: Huh? See that? He’s gonna love
this. It’s right over the 18th
Hole. Right there. As he would want, of
course. It’s perfect.
( Gascone’s phone rings.
He picks it up. )
Gascone: Yeah. (pause) He’s
coming now. You oughta
be ready. You ought to impress
him.
Wince: Oh,
he’ll be impressed.
(Toot enters but Wince pretends not to see him.)
Wince: Who
wouldn’t be impressed with this? An architectural marvel worthy of the man, his high principles, his
deep moral integrity. Yes, this
you see will even endure as a grand symbol of the man himself, of his high
character, his profound understanding, his generosity and compassion for all
peoples, all, not just the ones who come to Blue Heaven Amusement Park, but all
races, all economic levels, whether they are up to his kind or not. His unbiased vision whereby he sees the
great and the small with an equal eye, marks him out
as above the crowd. This platform betokens his largess and
equanimity, never distracted by petty bickering or ad hominem attacks heard
from the competition. Thus he stands
above those petty Estonian detractors, far above the niggardly backbiters that
seek to undermine Blue Heaven and all its blueness.
( Wince sees Toot and welcomes him. )
Wince: Oh,
Sir. This is a great day. (sings and dances around Toot) A rootie toot toot we root for the
Toot for he’s the beaut who gets the loot.
Heh? Heh?
Toot: That’s
a terrible song.
(Gascone returns to his office and his VR headset.)
Wince: Oh,
Sir. The Q Disease took over. It
worked. We’ve made that little ole hole into the Cesspool of the 18th Hole. Of course the Chinese sold. It’s
a swamp. They took a horrible loss. And we cleaned up. And this here is the symbol, the monument
of it all. This, Sir, this is your
march of triumph. See, we’ve
constructed it just for you. And
see. It’s right over where those Chinese
were. It’s your time of ascent. Plus. See
this. I’ve got something else to cap
it off, oh, the best, just what you desired.
( Wince reaches into the cage under the platform and
pulls out a dead cat. He triumphantly
displays it held high. )
Wince: Just
as you ordered, Sir.
Toot: Is
that the cat?
Wince: It
is, Sir. As you see, very dead.
Toot: You
killed the cat?
Wince: I
didn’t have to, Sir. I injected it
with the Q Disease and it was reduced to a quivering puddle on the floor. It
whimpered and squealed and uttered profanities right to the last. Oh, it was tasty. Its
little heart beat right to the end and all its dreams were history after
that.
Toot: The
cat’s dead? Why is it dead?
Wince: Well,
uh,… But you wanted it dead. You said quite clearly….
Toot: Are
you throwing up to me something I said?
I said kill the cat, I didn’t say kill
the cat. Are you a reporter? You one of those scum
that critiques what I say? Things you thought I said. Are you like that? What
does it matter to you what I said?
Wince: Wuh,… am I hearing right? That makes no sense.
Toot: Did
I ask you to make sense?
Wince: Well,
I, Sir, I wanted to make your wishes real.
Haven’t I always shown that?
Always praised you as you deserve?
I do what I can to make you happy.
Toot: Happy? Happy? Do
you know what makes me happy? Can you
guess?
Wince: No,
well, I can try.
Toot: Try?? Try?
Well, try now.
Wince: Um,… Money?
Toot: Nah,
I have enough.
Wince: Sex?
Toot: Same
answer.
Wince: Sex
with tens? With
broads with hooters out to here?
Toot: Don’t
bore me. I got ’em
already.
Wince: Well,
uh,…after money and sex… what’s left? … television?,…uh,…. drugs?
Toot: I
see, Doc, you, you’re grasping at straws.
What might it be? What indeed? You know what’s the greatest pleasure I
can ever have?
Wince: I…
No… I,… I guess…. I can’t guess your inner
thoughts. Although if I knew them, I’d try to fit in,
comply as best I could. But there, there
I guess I don’t have a clue.
Toot: It’s
seeing you.
Wince: What?
Toot: It’s
seeing you. You.
Wince: You
see me now.
Toot: No,
not now. It’s seeing you as you will
be. It’s seeing you humiliated. It’s seeing you beg. It’s seeing you grovel. It’s seeing your abject soul hoping against
hope to be let off the hook. It’s
seeing you get down, down at new sordid lows of groveling. It’s seeing you willing to give up every
principle you ever thought you had so your candy ass can be cushioned by my
tolerance and money so it doesn’t have to sit in shit.
( Mother
Toot, Kissy, Lotta and Kushie enter and surround Wince.)
All Chant: He
killed the cat. He killed the
cat. Did you do that?
(Toot smiles and exits)
Wince: Yes,
and see, see I’ve solved the problem of the 18th Hole.
Kissy: Well,
finally. It was good that you covered
over that nasty spot. I must say, a really inspired design choice. Really.
Lotta: It
isn’t solved. It stinks.
Wince: Well,
that was the idea. To drive away the…
Lotta: Whose
idea? Your idea?
MT: He
doesn’t have ideas. He can’t think hard
like my son.
Kushie: Yeah,
and now the cat is yeech, dead.
Wince: All
right, it’s dead.
MT: I
think the cat’s really alive. Secretly. I mean in
an ideal world.
Lotta: But
if what you see you can’t agree
All: Just
say it isn’t, ‘cause it isn’t, say it isn’t so.
Lotta: In
the world we live in.
All: Just
say it isn’t so.
MT: Where
you’re at right now.
All: Just
say it isn’t so.
Kushie: It’s
according to how you feel.
Kissy: And
if you don’t feel like you want to feel
All: Just
say it isn’t, ‘cause it isn’t, say it isn’t so.
Wince: What’re
you doing? You’re talking crazy.
MT: We’re
talking like you always did. We’re
using your words.
Kushie: Hey,
look. Lookie here. Here’s the man who poisoned the 18th
Hole.
Kissy: You
did? You did? You did that disgusting act?
Wince: Well,
I,… no, I was under orders. I didn’t really.
MT: He
didn’t really. Hear him?
He didn’t really do it.
Lotta: Here’s
the man who denies he poisoned 18th Hole.
Wince: No,
I… deny that I’m guilty,.. no,
innocent, that I’m…
Kissy: I
thought you adulated my husband.
Wince: I
did. I do adulate. Truth
is false, well, I mean, just said differently, I think… I do adulate, don’t you
think?
(Gradually Wince becomes more debased and
incoherent, ending by gasping and groveling on the floor.)
Lotta: But
you didn’t mean it. You didn’t do
sincere adulation.
All Chant: He
refuses, he excuses. He won’t
adulate.
Wince: Aaargh! You’re de-riving
me cruzy.
Lotta: Are
we? We don’t mean to.
Kissy: You
must have done that yourself.
Lotta: Without
our help.
All Chant: The
rain of false facts where will it strike?
Here! Here!
Cold is hot, is it
not? Up is down. Far is near.
Round and round a
tinkling sound, pleasant to the simple ear.
Wince: Please
stop. I don’t know where, wuh,
did you or… I say?… this is going.
MT: Look. Look.
He’s groveling. The more he grovels, the more we see what
he is.
Kushie: The
real man. The real
man for a change.
Wince: You’re
judging me. You have no right to juh-udge me.
Kissy: Don’t
we? We have to judge you to know who
you really are.
Wince: Please. Please, you’re all turning against
me.
Lotta: How
did you guess?
Kushie: He’s
sniveling.
MT: But
not driveling. He hasn’t driveled
yet.
Wince: All
right. I admire Big Toot. I even adulate Big Toot.
Lotta: Really? Do you really?
Kissy: You
pretend to. It’s not real.
MT: He
doesn’t go far enough.
Wince: Wibble-will. Wibble-won’t. But adju–adju-late.
Lotta: Now,
it’s drivel.
Kissy: But
he hasn’t swiveled yet. Isn’t
swiveling like part of it?
MT: You
can’t believe this. It’s only pseudo-drivel.
Wince: All
right. All right. I won’t
adulate. I’ll stop. Whatever I said before I won’t say any
more.
Kushie: There. That.
I saw it. He swiveled.
Lotta: That
does it. That makes it complete.
Kushie: Erases
all doubt.
MT: He
has the Q disease like I’ve never seen.
Wince: You’ve
made me like this. You’re all trying
to ma-ake me cr-azy.
Kissy: You
can’t be crazy if you weren’t crazy to start with.
All chant at random: Crazy.
Crazy.
He had to be. Had to be crazy to start with.
( They brutally cram Wince into the dark cage under the
platform. Lotta throws the cat in after him. They slam the door, shut and fix the lock. )
Wince: No. No, you can’t. You can’t.
( His captors stand back and look. )
Wince: This
is some kind of joke. It’s gone far
enough. (pause) Well, you‘re going to let me out… aren’t you?
MT: Will we?
Kissy: You
look cuter there. I bet you’re a good
lay. I mean, when you’re in a bed
somewhere, not where you are now.
Wince: I
did everything you said. Did it just
right. This is awful. What made you do something this mean?
Kissy: Just
say it isn’t,
Lotta: ‘Cause it isn’t,
All: Say
it isn’t so.
Kushie: It
is mean. Should we let him out? It’s cruel.
MT: Cruel
enough to get revenge for my son.
Wince: Revenge
for what? I’m innocent.
Kissy: He’s
so logical. It is kind of sweet. I mean unexpected.
Wince: When
are you going to let me out?
MT: Are
we going to let you out?
Lotta: You
could be there for a long time.
MT: Maybe
years.
Wince: Years? Please….
Kissy: Yeah. Years.
Kushie: Oh,
you must feel awful.
Wince: It’s
swampy and gooey in here.
Lotta: There’re
crocodiles of course.
Kissy: They’ll
come at night.
Lotta: But
they’ll ignore you—they’d rather eat the piranhas.
Wince: But
you will get me out, won’t you? Please.
I’m begging you.
MT: Not enough. Not enough to satisfy my son.
Wince: I’ll
beg. I’ll do
anything. How long do I have to stay
here?
MT: As long as it takes. A lifetime, why not? Good use for your time. Because you didn’t
really admire my son. Not
really. You only pretended. Now you must wait there, sunken and
despairing, till your adulation is total.
Till your praise wafts over my boy like peacock feathers forever
stroking his soft angelic skin and my son, my dearest, is at last
complete.
Wince: I’ll
praise. I’ll praise.
Lotta: He
doesn’t mean it.
All: He
doesn’t mean it. He doesn’t mean
it. It’s all fake, fake, fake.
Kushie: Or
maybe it’s real.
All chant: Or maybe it’s
real.
If what they say displeases you
There’s a simple thing to do:
Just say it isn’t
‘Cause it isn’t
Say it isn’t so.
If you believe what isn’t true
Here’s a simple plan for you
Just say it isn’t
‘Cause it isn’t
Say it isn’t so.
There’s no need to get in contention
Or think all night with your head
Don’t argue about their intention
Just do one simple thing here instead:
Just say it isn’t, say it isn’t
Kushie: ‘Cause it isn’t
All: Say
it isn’t so. Just say it isn’t, ‘cause
it isn’t, say it isn’t so.
(Kushie, MT, Kissy, Lotta exit chanting. )
Wince: Help
me. Oh, the stench down here. Sticky. Disgusting. I was only pretending to adulate him.
(Gascone doffs the VR headset and slowly saunters around.)
Gascone: Ah. You only pretended? Well, then you did it twice as well. Once for the doing and
once for the pretending. And
you were so good. Unfortunately he
knew that. You surrounded him with
imaginary flowers.
Wince: You’ll
pay eventually. I have truth on my
side.
Gascone: After
all that pretending? I doubt it. You haven’t said an honest word in decades.
Wince: I’ve done
nothing to deserve this.
Gascone: Ah. You did a lot. You wanted to kill him. I wanted him to live. I thought your methods were superb.
Wince: And
the vaccine? The
cure for the Q disease? Did
you find that?
Gascone: Of
course. The vaccine for the Q disease
is the Q disease itself.
Wince: The
disease can’t cure itself. That’s
absurd.
Gascone: Not now. With this vaccine you don’t, as people say,
conquer the disease. You do something better: you make people glad
they have it. And here he comes. He comes at last.
( A cymbal crash. From upstage center Toot appears wearing a
long purple cape. He strides
forward. )
Gascone: Yes,
it’s time for your ascent, Sir. The
new 18th Hole is the ultimate accomplishment. Finally it is worthy of you now. Now you move from Big Toot which you’ve
always been, to being at last what you always were destined for: Great
Toot.
( Music cue:
Elgar’s Military March #1. Toot
straightens, slowly walks forward and ascends the stairs. He stands happily before the desk amid the
balloons. He spreads his hands and
smiles. Gascone, from his own desk,
produces a golfing flagstick with the number 18. He proudly places this at the far corner of
the platform. Sound cue: uproarious applause. Toot
takes his seat at the desk. Applause stop. He
watches the TV and intermittently taps on his cell. Below in the cage Wince crouches, looking
around at what he’ll have to become accustomed to. He tentatively feels the wire cage.)
Gascone: That
about covers it. Call if you need my
assistance. Or anything like it. (returns to the seat he had at the start of act I and
silently regards what follows. )
(pause)
Wince: I thought
I was doing what you wanted.
Toot: Hm.
(pause)
Wince: I tried
hard.
Toot: Hm. Yes.
(pause)
Wince: I’m going
to speak out, though. I will. And I’ll set the record straight.
Toot: You’ll
tell all you know.
Wince: Probably
I’ll get a book deal.
Toot: Yes.
Wince: I might
even write a play.
Toot: That’s a
brilliant idea.
Wince: All along
I did what you said. I know I did. The cold facts would exonerate me. A careful analysis of what I’ve done, an honest look at all the relevant details, yes, then,
that would arrive at the truth. If people would just take the time.
Toot: But they won’t. It’s a pleasant thought though. That’s why this is so perfect: you
down there with your ideas, me up here enlarging the whole of Greater Blue
Heaven.
(Pause. Through a
hole in the platform Wince reaches up and feels around. He pulls on Toot’s ankle. Toot uses his other foot, trying to
dislodge Wince’s hand. Toot stamps
on the floor. When Toot frees himself, sometimes Wince’s hand is still above the slot and
Toot stamps on the floor to chase it away. Toot sits back, watching to see if it
will reappear.)
Wince: They all
think I’m insane.
Toot: Oh, I wouldn’t go that far. I have an opinion. Would you like to know it?
Wince: Yes.
Toot: I think you’re troubled. I think you imagine you know the truth and
that’s a weight on your conscience.
Wince: So you’ll
help me?
Toot: Of course. I’ll do everything. I’ll hire the best doctors. The best attorneys.
Wince: Gascone will
help. Gascone knows I’m here?
Toot: Of course. He’s filed papers to have you committed,
did you know?
Wince: No. (pause) So, … so you’re
going to turn me over.
Toot: If you want me to. What would you prefer? This or the psych ward? Of course in the asylum, they’ll beat you
every day and shoot you up with drugs that alter the cells of your brain and
make you impotent. In some cases the
drugs are especially designed, did you know, to make the cells eat each other. It’s
a topic of research. Yes. Blindness is often the result. Well, I suppose each case is
different. But you might like
it.
Wince: I’ll
stay.
Toot: Well, don’t say I didn’t warn
you. Your being in hiding down there
is the best way to protect you.
Wince: But then
I’m a fugitive.
Toot: You were already that. We rescued you to safety.
Wince: But if I’m
a fugitive, that convinces everyone
of my guilt.
Toot: They’d be even more convinced of
that if you exposed yourself. They’d
think you were trying to pretend innocence.
Wince: But I am
innocent.
Toot: Then you don’t want any pretense to
ruin it. (Reaches a
golf ball to the hole in the platform.) Hold this.
Wince: What?
Toot: The
ball. Hold it. I’m gonna tee
off.
Wince: You
can’t tee off. This is the putting
green, putting green of the last hole.
When you get here, the game’s over.
Toot: The
game’s not over. Steady now. Hold still.
(Toot aims and swings. As he does, Wince withdraws his hand and the
ball with it. )
Toot: Wow! What a drive!
Wince: You
didn’t drive.
Toot: Oh,
way to go. Lookit
that. Look at that ball sail.
Wince: I
don’t see it going anywhere. It’s
right here. I’m telling the truth from now on.
Toot: Isn’t
that just like you? Second guessing
me? Contradicting what I say? You’re locked in the cage of your own thinking. Not me.
Wince: You
didn’t drive at all. I have the ball
right here in my hand.
Toot: So
look down the fairway. What do you
see? You see my ball flying, sailing,
up and up. On and
on. And
on. (proudly) On into the heights, the high highest ever.
Wince: Heh? It’s not going anywhere. And where are you? This is the last hole. There isn’t any more.
Toot: You’re
so silly, Doc. Down there, what can
you see? Up here you see the infinite. Take
it from me, kid. There’s always
another hole.
( lights out. )
+++++++++++++++++ random notes and excerpts after the
fact…. … …..
There’s a great
place later in the play for a canon and this piece, in Act II, sc. 1, might be
better with verse and antiphon like this:
MT: If you knew
that
you had Q
Kissy & Wince: What to do? What would you do?
MT: You must have drivel
Kissy: But then you’ll snivel
All:
What to do? Oh, what to do?
Wince: Well, after snivel
Kissy: And all that drivel
All:
What to do? Oh, what to do?
MT: It’ll make you swivel
Kissy: You’ve got to swivel
Wince: Turn and snivel.
All: Nothing else will do.
[ change to alternate melody with no rhyme ]
Wince: If you get that feeling, that nagging
feeling, that everything you say makes no sense at all.
Could
be you have a little bug, a little thing that catches in your throat every time
you
open up about your inmost thoughts. I’ve had that happen. I know how you feel.
I’ve
seen the cases going around. It’s
called the Q. A disease that makes
you babble
and then say something else that makes it woooooorse.
[ musical interlude while the actors
dance in a circle and then they repeat the antiphon. ]
Yes and who
better to choose than my Little Toot? Hm? I mean he’s Big Toot now, but to me, to a mother,
he’ll always be as he was in those first few golden years. When he was two toots
and then three toots and then ha-ha, high toots to the wind. With his cattle prod electric tank and his
little hammer bashing up this and that.
And now when he’s full grown I want him to feel the exaltation of union,
of togetherness for life, of a bosom companion he can call his own. Oh, and Kissy, you couldn’t have known,
but the glory of the wedding ceremony, the pageantry, the flowers, the gifts
from the hearts of so many, so, so many, the coming together of friends for
life. The music, the orchestral
triumphs, the sparkling society that closeness engenders and marriage makes
complete. It’s an experience of a
lifetime, simply put.
MT sings:
He’s big Toot
to you, but to me he’ll always be
The lovable
little boy when he was three.
He’d throw a
rant when he was two
That’s the
boy-boy thing to do
And it made us
laugh to see
The lovable
little boy when was three.
And if he was
surly and mad
He’d break his
toys and throw them out
An unkind word
would make him shout
But he wasn’t
really bad
He was so cute
with his stick having fun
He made the
other kids all run
Pretending he
was God
With his
electric cattle prod
He was such a
darling child
A little wild,
I didn’t mind,
…..
[spoken] That was
really going too far, but he was so cute.
Yes, a mother
always remembers
those golden years
Those
Lotta: (pulls
him to her) Honeyy. Look at you. (holds up burnt arm) You’ve had a hard day. It’s not a word.
It’s the
excitement of Blue Heaven. We have to
have toys to sell.
[ Lotta breaks into song. ]
Why, the
electronic artificially intelligent pantyhose, that’s our hottest item.
And the strapless
bra with Internet of Things alligator clips, they gotta
get ‘em.
And the
hydraulic chicken wringer specially engineered to serve so many exciting
nights?
And more
delights
For those exciting nights.
Oh, Kushie, so
many thrills waiting to happen, just think:
[ change to bouncy tempo ]
There’s the
super unhs
and the great um-bums,
[we can have more lines here]
for the super cums
and the coos and bumps
and the enhanced bditzie
thing.
Without
exciting toys , they’re unsettled.
Out of sorts,
don’t know what to doooooo.
If we had those
toys we’d be shoving platinum to the wallllll.
[with the fast
tempo again]
With the super unhs
and the great um-bums,
for the super cums
and the coos and bumps
and the enhanced bditzie thinggggggg.
[ spoken after here ]
This is Blue
Heaven for God’s sake. You expect us to
sell drugs and liquor?
Kushie: Gee, Lotta, you think…. We never
thought of selling drugs and liquor.
Lotta: People want product. They hunger for it. You want us to freeze over? You want us to live on borrowed money and
sink into an infested swamp? You know
how big this is? You know.
++++++++++